Tuesday, 11 August 2015

Tokyo International Bar Show + Whisky Expo 2015 review

Moving to Hong Kong has provided us with some great whisky experiences over the past year - meeting David Stewartsharing a few 'fiddichs with Ian Millar and enjoying a 1969 Glenrothes with Ronnie Cox to name a few.

What living in Hong Kong has also done though, is put us a lot closer to the rest of Asia, and allowed us to visit distilleries in Japan, India, and in the case of this post, spend a crazy 36 hours in Tokyo for the Tokyo International Bar Show + Whisky Expo


It all started when a friend suggested the Tokyo International Bar Show ("TIBS" for short) sounded like a fun weekend. While he didn't end up attending, another friend (Eddie Nara of Barrel Concepts) made plans, and I decided to join in. My plan was simple - fly out of HKG at 1am Saturday, land in Tokyo at 6am, get to the hotel, shower, dump the bag, then head to the bar show and catch up with Eddie just in time for opening. Stay all day Saturday, visit a whisky bar Saturday night, do it all again on Sunday, and fly out Sunday night, back home in time for work on Monday. Simple right? Thanks to the general efficiency of Cathay Pacific (and Japan), that's exactly how it went down.

Arriving at TIBS, I was faced with a queue of at least 400 people, snaking around the Tokyo Dome City Prism Hall venue. Luckily I'd arranged a press pass, and managed to walk straight in via the (empty) media entrance. I made a bee line straight for the Shinanoya stand to order a bottle of the (quite limited) TIBS bottlings - a 6yo single cask ex-French Oak Chichibu, and a 4yo single cask ex-American Oak Komagatake.




TIBS always held special appeal for me - mainly because it combines two things I love - whisky and bar culture (and as we've mentioned before, Japanese bar culture is about as good as it gets).  The venue wasn't big, but showcased a significant number of stalls with every spirit you can imagine, and a number of cocktails to sample too. 

The "+ Whisky Expo" part of the name was evident by at least half the venue being filled with whisk(e)y brands - from the big names (Suntory, Nikka, Beam, Bacardi / Dewars etc..) to independent distilleries (Arran, Glenfarclas) to smaller or lesser-known whisky players (Chichibu, Shinshu (Komagatake / Mars), Kirin) and everything in between. It was particularly exciting to see Kirin - who brought their 17 and 18yo single malt, and 25yo single grains along.




Independent bottlers were also present, with the larger-than-life Robin of Blackadder, complete with his 10 gallon hat, proudly proclaiming his complete lack of filtering for the excellent "Raw Cask" series).




A masterclass theatre provided a variety of masterclasses throughout the day (I attended a rum class with Ian Burrell the "Global Rum Ambassador" on one day, and a Hibiki component class with Suntory's Master Blender Shinji Fukuyo on the other).




A live stage added another dimension, showing various demonstrations and cocktail competitions, including demonstrations from headliner Julio Bermejo of Tommy's Mexican Restaurant (home of the world famous Tommy's Margarita). Enjoying one of these made fresh by Julio and handed directly from the stage was a pretty special experience, and provided a nice break to reset the palate after tasting 20+ whiskies!




The Chichibu booth was crowded for most of both days, and it wasn't hard to see why - with a full line-up, including a few pre-release bottles that read "Bottle 1 of 2"! Akuto-san was also around to greet fans and pose for photos / sign bottles. A top bloke and very humble!




Food within the venue was limited, but with okonomiyaki, tempura, takoyaki and sushi, covered most of my favourites. When a break from the spirits was needed, there were a few options including Nikka (with their Highball machine, showcasing the new Nikka Black), and Brewdog, the Scottish craft brewery famous for making some insanely high-ABV% beers.




The rest of the story is probably best told in pictures - enjoy!


















I'm really glad I went to TIBS, and would encourage anyone who likes whisky, cocktails or bar culture to try to visit at least once in their life! A huge thanks to Tokyo International Bar Show and Hidetsugu Ueno (of Bar High Five and the Cocktail Culture Foundation) for the press pass.

Tasting notes to follow in a further blog post.

Cheers,
Martin

Sunday, 9 August 2015

Tasted #200: Master of Malt 60yo Speyside

It wasn't all that long ago that we tried a few 40yo whiskies on this blog (like this OB Glenfarclasthis IB Glenrothes and this OB Glenrothes), and we thought they were pretty special. Not the best whiskies we'd ever tried, but without a doubt special (especially this 1973 Balvenie, hand-drawn by David Stewart just a few weeks earlier).

Then we discovered Master of Malt, and their 40yo unnamed Speyside whisky (tasted here), and even their 50yo unnamed Speyside whisky (tasted here).

Surely a 50 year old whisky would be pretty hard to top, right? Short of winning the lotto (or meeting an incredibly generous, whisky-loving person who did), I thought that would be about the limit for me in terms of well-aged whiskies....

Then Master of Malt released their 60 year old unnamed Speysider.

SIXTY. YEARS. OLD.

Sure, there are whiskies older than 60 years old, but when was the last time you found one that was even close to accessible? They're usually the sort of whiskies you see selling for $20,000+ AUD (~$120,000 HKD) for a bottle, or $1,000+ AUD (~$6k HKD) for a nip in any bar lucky enough to have an open bottle.

Which made this 30mL sample, at £52.93, all the more interesting. I'd wanted to try this for a while, but wasn't too keen to try Master of Malt's high shipping costs for a few sample drams. When a work trip to London came up though, it was on for young and old.... (and by that I mean, I ordered a dram, along with a few others, to my hotel in advance, so it was there waiting for me on arrival).

(For what it's worth, while no-one has published a definitive answer on which distillery this whisky comes from, the general consensus is that it's a Glenfarclas, which would make sense given there are a number of older 'farclas casks out there with independent bottlers. I also got similar notes to other well-aged Glenfarclas releases I've tried in the past, and if you need any further proof, I was told these were from Glenfarclas by, let's just say, someone who would know...).




Master of Malt 60yo Speyside (42.2% ABV, 60yo, Speyside, Scotland, £999.95)
---------------------------------------------------------------------------------------------------------------------------
Colour: Dark, dark brown copper.

Nose: Wow. Truly a bit of everything going on here. Citrus (limes and burnt orange), spice (pepper), a hint of sulphur, even some juniper! Lots of sour gummy worms (hmm, I got those notes once before...)

Palate: Initially light, but clearly "well-oaked" (read: "overly oaky"). Drying and tannic, with Taiwanese Pineapple Cake, furniture polish, and the slightest hint of smoke. No Citrus like on the nose, but some coconut. Talk about a mixed bag!

Finish: Medium to long. A little smoky. A lot of varnish. Oaky, but not too tannic. Whole oranges.

Rating (on my very non-scientific scale): 89/100. Look, for a whisky to make it to 60yo (and still be at least 40% ABV and therefore legally allowed to be called whisky in Scotland) is an impressive feat. Was it the best whisky I've ever tried? No, and I didn't expect it to be. Older does not always mean better. The Nose was A+++ fantastic. The remainder, interesting, but not quite as exciting. All over, it feels like a whisky that would have been in its prime about 10 or so years earlier. But hey, when you're experiencing a whisky that was distilled in the 50s, none of that really matters. It's all about the experience...and what an experience this was.




Cheers,
Martin.

Friday, 7 August 2015

Suntory Hibiki "Japanese Harmony" Australian Launch (Tasted #199)

With the explosion in demand (both for consumption and collection) for Japanese whiskies in recent years, Suntory holds a special spot with Japanese whisky drammers with its core whisky portfolio which includes Yamazaki (which we visited last year), Hakushu (which we also visited) and the famous blend Hibiki (not to mention the soon-to-become-mainstream Chita grain whisky).

Late last year Suntory Australia officially launched the Yamazaki "Distiller's Reserve" and the Hakushu "Distiller's Reserve" in Australia along with some of its other core range including the Yamazaki 12 Year Old, Hakushu 12 Year Old, Hibiki 12 Year Old and the fantastic Hibiki 17 Year Old (see our coverage of the launch here). Roll forward just under 12 months, and Suntory is back once again to introduce a new NAS (No Age Statement) release, with the new Hibiki "Japanese Harmony" - toted to be a tribute to the original Hibiki blend which was created in 1989 to commemorate the 90 year anniversary of Suntory.


To celebrate the launch of the new Hibiki "Japanese Harmony," Suntory held a launch event at Simmer on the Bay in Sydney's Walsh Bay. The event venue was decadently decorated with tranquil and elegant features and upon walking in, guests were greeted with the sight of a grand centre round table, with the classic 24-faceted Hibiki bottles placed around the tables, surrounded with tea-lights of various sizes (it was later revealed that these bottles were only filled with tea - as display bottles often are).



In the adjacent room, rows of tables could be seen featuring the Hibiki component whisky tasting sets. The room had been extensively decorated with tranquility and nature in mind; trees, branches, flowers and honeycomb-inspired lights were installed across the room. The room design and features very much reflected Suntory's "mission" of being in harmony with people and nature.


As with the launch last year, Mike Miyamoto, the Suntory Whisky Global Brand Ambassador was the host for the evening. In kicking off the launch, Mike described the extensive journey he embarked on with Suntory throughout the past 37 years, having joined in 1978 at the Yamazaki Distillery before being posted in USA in 1980 to run the cooperage business. Mike also spent some time at the Bowmore distillery between 1994 and 1999 and once again between 2002 and 2004 as the Director of Distillery before becoming the Global Brand Ambassador last year.

Following an overview of his time with Suntory, Mike then proceeded to provide a brief overview of the history of Suntory before kicking off the formal tasting of the Hibiki "Japanese Harmony"


In previewing the "Japanese Harmony," Mike described that five key component whiskies from the YamazakiHakushu and Chita distilleries collectively make up the Hibiki “Japanese Harmony.” Each of the five key component whiskies add a different flavour profile with the total blend consisting of more than 12 malt and grain whiskies from the five component categories:
  • American White Oak Cask Malt Whisky - the base whisky for Hibiki, malty, sweet with loads of fresh fruits and floral notes;
  • Chita Grain Whisky - which adds to the mild and grain-like aroma;
  • Sherry Cask Malt Whisky - the overlay; sweet, fruity, rich and complex;
  • Mizunara Cask Malt Whisky - the overlay; sweet and distinctive, adding the woody, floral notes to the overall blend;
  • Smoky Malt Whisky - the overlay, strong and dry, as with all the smokiness
Of the five component whiskies, three were presented for formal tasting; being the Chita Grain, the Mizunara Cask as well as the Sherry Cask. Frankly, the three component whiskies were easily able to stand on their own and were quite exciting to taste.



The Chita Grain was the first component tasted - overall, a mild and pleasant dram. With a Chardonnay-like appearance, the Chita Grain nosed of vanilla, lemon cheesecake with a fresh breeze of the morning forest air and wet moss. There was also a hint of whipped butter on the nose. The grain was evident on the palate with a big dollop of corn note that developed into a herbaceous minty and dill profile. The finish was refreshing, mostly from the mint note albeit short.

The next component we tasted was the Mizunara cask whisky. Never having tasted Mizunara cask whisky prior, I was excited when I heard this was one of three components being presented. Overall, a sweet, gentle component with an overlay of spices. The Mizunara whisky had a gold appearance. Mint, wet forest moss and sherry were the initial striking notes on the nose. The palate is clean with fresh oak, pine notes that finished for quite some time and developed into a concoction of dried spices

The third component, the sherry whisky component was quite likely the most exciting component of the three. You could almost hear all the pleasantries being shared around the room as we began to taste it. With quite a dark, copper, port like complexion, the sherry component was sweet, fruity and complex on the palate. The nose was filled with sherry, vanilla with a hint of oak. The palate was soft, refined and starts off with a vanilla note followed with oak and then a layer of peat. The finish was long, gentle and tended to coat the palate.




Suntory Hibiki "Japanese Harmony" (43% ABV, Blended, NAS, Japan, $99.99AUD)
--------------------------------------------------------------------------------------------------------------------------
A clean, simple Hibiki blend that may not be as prominent and bodied as the 12yo or the 17yo though the Japanese Harmony can stand up as your daily dram or a dram on a nice warm day, served as a Highball given the light, crisp profile.

Colour: Gold with a tinge of amber hue


Nose: There is crisp pine needle at first with a swift of sherry followed by notes of rum, vanilla and butterscotch


Palate: The Japanese Harmony carries a clean, soft yet buttery characters on the palate. Note of popcorn is there that develops further into notes of sherry with soft, gentle spices.

Finish: Short to medium finish with gentle lingering spices

Rating (on my very non-scientific scale): 89/100.




It is certainly exciting to see another Beam Suntory whisky release in Australia and given the increasing demand and love for Japanese whiskies, as compared to other single malts and blends from other parts of the world, I do hope we see few more expression releases in the coming year (Martin: Hopefully Beam Suntory arrange a similarly high-profile launch for the new core lineup Chita!)

Until then, we have the Hakushu and Yamazaki Distiller's Reserve, the Hakushu and Yamazaki age statement whiskies and now, three Hibiki expressions to enjoy.

Cheers,
Hendy

Friday, 31 July 2015

Tasted #198: Millstone French Oak 8yo (#101drams)

We're powering through the #101drams list at the moment. Next up, a whisky from a country we haven't yet featured in this blog - the Netherlands!

Millstone Whisky comes from the Zuidam Distillery, a family run distillery in operation for 40 years. I picked up a sample of their 8yo French Oak a while ago from Master of Malt, and finally got around to trying it recently...


Millstone French Oak 8yo (40% ABV, 8yo, Netherlands, No longer available)
---------------------------------------------------------------------------------------------------------------------------
Colour: Slightly dull orange.

Nose: Oranges, lime and lemon zest. Some grains, and freshly-cut grass.

Palate: Young, but not "hot". Loads of citrus. Light but flavoursome. Oat cakes, short bread, tangy but not overly sweet.

Finish: Medium length, with oats and a hint of salt.

Rating (on my very non-scientific scale): 91/100. Not bad.





Cheers,
Martin.

Sunday, 26 July 2015

Tasted #197: Octomore Orpheus 2.2 (#101drams)

When I wrote my list of #101drams whiskies in very early 2013, I kind of shot myself in the foot with a few of them. They were relatively available at the time, but after procrastinating (or rather, getting through others on the list), some of them became very, very difficult to track down.

#24 Ardbeg Alligator, for example. I tried it soon after compiling the list, but didn't take very comprehensive notes, figuring I'd find it again relatively easily - ha! Luckily I did manage to find it at a bar in Tokyo this year (and finished the bottle!) so notes will be up soon.

#41 Balvenie TUN1401 (any release) also became significantly more expensive and hard to come by than when I wrote the list, but luckily I did manage to track down a dram at Melbourne's Whisky + Alement.

#7 though, Octomore Orpheus, was looking increasingly difficult to track down. With bottles going for $500AUD+, and any bar that previously stocked it long since sold out, I wondered if I'd ever get to try this one...

...and then, just a few months ago, came a very kind offer from @gr8whisky, who offered to send me a dram, noticing that it was still outstanding on my list. This was the second time something like this happened, and was a perfect example of #whiskyfabric in action in my opinion. Cheers Grant!

With the dram safely back in HK, I whipped out a Glencairn and got to tasting....


Bruichladdich Octomore "Orpheus" 2.2 (61% ABV, 5yo, Islay, Scotland, good luck finding a bottle these days)
------------------------------------------------------------------------------------------------------------------------------------------------------------------

Colour: Dirty, coppery brown.

Nose: At first, a big whack of peat, but then HUGE BBQ notes. It transported me straight into my fridge, where a bottle of Sweet Baby Ray's was sitting. I don't usually get this specific with my tasting notes, but it was actually smack bang on the Sweet Vidalia Onion sauce, which I'd tried a few weeks earlier. With water it became a different whisky, and a lot more typical Islay notes - fishnets and iodine.

Palate: Lemon zest and more BBQ. Some cherries, smoked ribs with dry-rub. Drying and mouth-puckering. Water again amped up the peat and iodine, making it more of a typical Islay peat-monster (which it is, at 140ppm).

Finish: Long and smooth, with a fire at the very back of the throat.

Rating (on my very non-scientific scale): 89/100. Unique, that's for sure. Not sure I loved it, but it was certainly different, and while it did have some of the characteristics I typically get from red wine-finished whiskies (drying, tannic), it had plenty that I don't typically get, too!


Cheers,
Martin.

Wednesday, 22 July 2015

Dramnation Whisky Appreciation Classes

The Sydney Hills District has seen a considerable growth over the past decade and the transformation of the area has seen a shift in consumer demand and taste and the gradual introduction of eatery / bar choices into the area to rival those in and around the Sydney CBD. The latest two great introductions to the Hills area are the Crooked Tailor restaurant and bar and Dramnation. Crooked Tailor has positioned itself as an alternative to all the pubs and bistros in the area. We will visit and preview Crooked Tailor in due time.

With the latter, as we briefly previewed in mid May and also on our Facebook page, Matt Wooler; a good friend of TimeforWhisky, fellow whisky blogger, whisky connoisseur and also custodian to the long standing Distant Thunder Whisky Club -- has recently established and launched Dramnation. Dramnation is a startup business that has been founded by Matt and aims to impart knowledge and introduce whisky appreciation for individuals through a series of intimate presentations, whisky tasting and sensory exploration. The ultimate aim of Dramnation is to instill a good level of valued information to allow for a confident, educated decision making process when selecting and purchasing whisky at retail liquor chains or other specialist stores.

Matt extended a spot for myself to partake in the series of whisky appreciation courses that ran over the course of four weeks. Hosted at the Castle Hill Bowling Club, the club allowed Dramnation ample space for the setup. Walking in through the lounge and onto the hall, the Dramnation space had been immaculately organised and presented. The collection of whisky wooden tasting boards and the colourful sensories have been elegantly placed across the long table and all the elements draw you in for a closer look. For those that have known Matt over the years, he is known for his attention to details and his innovative, thoughtful ideas. The Dramnation setup was all that and more. In the background was soft, pleasant jazz music that complemented the setup.


Along the table, there was a range of sensories from vanilla pods, buffalo grass (freshly sourced from the Hills district), almonds, prunes, dates, orange, butter, raisins, wood chips and few others. These sensories are later revealed by Matt as elements that can be explored by those around the table to allow a deeper appreciation of the whiskies being offered. Fingers food was also spaced along the table and included different types of cheese (which we will describe further later), crackers, mixed nuts, dried fruits, chocolate, pastries and a range of cured meat.

 



These sensories are passed around throughout the session so as to allow a closer appreciation of them. This one above is peat soil that helped connect us to the moss 'smoky' peat characteristic that is inherent in those Islay whiskies some of us love. In this case, this peat soil was introduced in the Class 2, prior to our tasting of the Old Pulteney 12 Years Old; generally known as an old maritime whisky and also the Laphroaig 10 Years Old.


I mentioned the different types of cheese on the table above. With the cheeses on the board, Matt explained that there are two types of cheese available on the board. The mozzarella cheese and the cheddar cheese. The mozzarella cheese had been described as a palate cleanser, a type of cheese that would help neutralise your palate following a tasting or snacking. The cheddar cheese, on the other hand, had been described as a palate exciter and one to have prior to tackling the next dram. Despite my initial scepticism on the matter, the two types of cheese worked to clean and amplify the sensories from the dram on offer. Kudos to Matt for sharing this tip and one for you to try at home.


Here the two types of cheese that were laid out next to the finger foods for sharing amongst those around the table - the cheddar slice on the left and the mozzarella block on the centre-left.


Once everyone arrived, we were all ushered onto our seats along the table and presented a tasting cheat sheet summarising the tasting notes of the drams being presented. In front of each person was the whisky tasting board with five to six drams on each board (depending on the class). The above board from the last class contained six drams; five of which are whiskies and the sixth on the board was a glass of oloroso sherry. The sherry was there to help introduce the class to the world of sherried whisky (.. mind you, the wonderful world of sherried whisky).

Throughout the four weeks, across four classes, a total of twenty drams were presented for tasting and this did not include all the mystery drams Matt introduced at the end of each class. Mystery drams are simply drams which can be purchased in advance from the Dramnation site and the details of the the mystery drams are only revealed at the end of each class. Each mystery dram is personally selected by Matt and is quite unique and differ to the twenty drams offered for tasting. A couple of notable mystery drams were the Glenfiddich 125th Anniversary Edition and Teeling Single Grain Irish Whiskey.


The twenty drams that were presented throughout the four classes were unique, varied and showcased the different characteristics that are inherent in the whiskies from the different regions. What I liked about the twenty drams was that all twenty drams are widely available from retail bottle shops and that simply meant that if you enjoyed any of the drams, you can get a bottle from your favourite bottle shops straight after class.

A few highlights from the twenty drams include:

  • Glenfiddich 12 Years Old, a classic Speyside Scotch (the first whisky of them all and presented in the first class);
  • The Hakushu Distiller's Reserve Single Malt, an affordable Japanese malt from the Island of Honshu, Japan (a good introductory Japanese malt, as presented in the first class);
  • Lark Single Malt Classic Oak, the flagship malt from our local Tasmanian distiller, The Lark Distillery (presented in the first class);
  • Old Pulteney 12 Years Old, a buttery, floral, lightly smoked Highland malt and as described as the old maritime whisky (a dram from Class 2);
  • Strathisla 12 Years Old, a single malt that may not be well known though output from the distillery is mostly used for the Chivas Regal blends (a highlight from Class 3);
  • Ardbeg 10 Years Old, a classic Islay peaty whisky that embodies plenty of smoke, fresh wet moss and long sweet malts (this was the finishing dram of Class 3);
  • The Balvenie DoubleWood 12 Years Old, a balanced, floral, sweet Speyside malt (pictured above, presented in Class 4);
  • Aberlour A'Bunadh Cask Strength, the twentieth dram, the final dram and a favourite of mine - big on the nose, rich and plentiful on the palate and super long. (A beautiful final dram, as presented in Class 4)


Throughout the four classes, Matt intimately described each dram (of the five drams in each class) and he would provide an overview of the dram prior to our tasting of each dram, detailing the profile of the whisk(e)y, the likely nose, palate and finish characteristics that you are likely to encounter and also relevant sensories on the table that you can relate the dram to.

A different set of drams was curated for the four classes. The first class presented whiskies of the world, the second presented balanced whiskies, the third -- whiskies aged in different barrels and the fourth and final class presented an old (30 years old) and also four, beautiful, sherried whiskies.



In between tasting, Matt took the time to discuss various aspects of whisk(e)y from the basics of whisk(e)y distillation (from the mashing, fermentation, distillation, ageing to bottling); the different Scotch whisky regions of Scotland; the different barrel sizes to the notion of whisky colouring. The back of each of the tasting cheat sheet provided in each class also summarised facts and figures regarding these aspects.

To deviate from the usual discussion of whisky facts, in one of the classes, Matt introduced the good old 'Old Fashioned' cocktail to the class. What's more, each of us was also given the opportunity to curate our own spiced old fashioned (details below) using a Woodford Reserve bourbon as the base bourbon. The 'Old Fashioned' cocktail was given a slight kick with few spices including cinnamon stick and star anise thrown into the works. The resulting cocktail was simply delectable.


Also to break up the tasting rhythm, in the second class, we were given the opportunity to witness a demonstration on the colouration of whisky (though the demonstration used water) -- to demonstrate the same colouring process used to colour whiskies. The caramel colouring used on the day was the same caramel colouring used by a number of distilleries to colour their whiskies to alter their colour profile as some whisky markets tend to prefer darker colour whiskies as they imply a more premium expression. The demonstration highlighted an interesting side of whisky production and also highlighted the fact that most of us (including myself) could not successfully differentiate between a standard whisky and a glass of coloured water.



Overall, the Dramnation Whisky Appreciation Classes were fun, interactive, intimate and insightful. Matt's passion for whisky and in-depth knowledge of the subject matter was quite rightly evident and contributed to the overall experience and in my view, the overall great success of the classes.

Many thanks to Matt Wooler, whose whisky knowledge, creativity, humour and charm make the classes a truly memorable experience, especially for those of us that are keen to explore different whiskies and learn more about them.


If you would like to partake in these Dramnation Whisky Appreciation Classes or discuss similar style classes, you can visit the Dramnation site or contact Matt Wooler via Facebook, Twitter or Instagram.

This July, Dramnation will also be presenting A World Whisky Tour at the Castle Hill Bowls Club, Thursday 30th July at 7pm. A tasting of six whiskies from around the world covering regions from France, Australia, India, USA, Japan, & a lost distillery from New Zealand. Tickets are $30 for Club Members and $40 for Non-Club Members. Find out more here.

.. and before I sign off, here's the recipe for that good old 'Spiced Old Fashioned'

--

Spiced Old Fashioned

Ingredients
  • Tumbler
  • 1 teaspoon white sugar
  • 4 teaspoons water
  • 1 ounce (30ml) Bourbon
  • 1 peel orange
  • 1 cinnamon stick
  • 1 star anise
  • Dash of Angostura Bitters
  • ice
Instructions
  1. Muddle sugar and water until blended.
  2. Pack with 2 cubes ice, add bourbon, bitters and mix.
  3. Add cinnamon, star anise, twist orange and garnish while giving one final stir.
  4. Enjoy.

Time for Whisky attended the Dramnation Whisky Appreciation Classes as a guest of Dramnation, with thanks to Matt Wooler.

Cheers,
Hendy

Sunday, 19 July 2015

Tasted #196: Laphroaig PX Cask (#101drams)

Another day, another #101drams whisky. I've been sitting on this bottle for a while, purchased duty free somewhere or rather, and finally got around to tasting it when I was back in Sydney recently.

Laphroaig PX Cask (48% ABV, NAS, Islay, Scotland, $100AUD (duty-free) / $768HKD)
--------------------------------------------------------------------------------------------------------------------------------------------


Colour: Dull copper

Nose: Maritime smoke - more Bowmore than Laphroaig. There's a rich sweetness - ripe cherries, mixed into a Christmas cake, along with glacé cherries. It wasn't Christmas time when I tried this, but it may well have been...

Palate: Now we're looking more like a Laphroaig. Iodinic (is that a word? It is now..), medicinal peat with a meaty undertone. Not too sweet. Hints of...jamon? Would pair well with a well aged hard cheese, like a Parmigiano-Reggiano I think (note to self - try that pairing one day). Just the right amount of sweetness.

Finish: Long, peaty and medicinal. The sweet PX influence makes a final stand at the very end.

Rating (on my very non-scientific scale): 92/100. A very enjoyable dram - still very much a Laphroaig, but different enough to the rest of the range to pique my interest. At $100AUD for a litre (duty free), it's worth consideration.



Cheers,
Martin.