Drams at The Auld Alliance: SMWS 1.168 "Delightfully dulcet deliciosity" (Glenfarclas) [Tasted #587]

In the run-up to our "Epic 10" tasting posts from 12th October (as part of our 10th anniversary celebrations) we figured we'd post a few drams that, whilst not quite making the cut, are still great drams in their own right. On that note, I dusted off my notes from my last trip to Singapore, which was back in 2016. Martin recommended visiting a quaint whisky bar in Singapore, a bar many of us are familiar with - The Auld Alliance.

Martin first reviewed the Auld Alliance back in 2013 [in its old Chijmes location] and since then the bar has grown to become a globally known establishment. Its comprehensive old and new whisky offerings are impressive and you can literally spend all day at Auld Alliance and only get through a small portion of their collection.

I remember sitting down that night to sample a few different bottles but one of them stood out, a 28yo Society bottling from distillery 1 (Glenfarclas) that I thought was sensational and super delightful dulcet delicious.

SMWS 1.168 "Delightfully dulcet deliciosity" Glenfarclas 28yo 1984/2012 (53.3% ABV, 28yo, Speyside, Scotland, SMWS, 189 bottles)

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A lovely, rich, creamy malt packed with flavours and a dram I would have to celebrate a momentous occasion.

Colour: Amber gold

Nose: Shortbread cookies with strawberry jam filling, cherries, Arnott Iced Vovo, paint thinner (in a good way), pineapple, tropical fruits, raisins

Palate: Sweet, rich, creamy, fruity, citrus opening then translates to honeydew, strawberries fruit salad, malty caramel, slight maritime overtone 

Finish: Long, oaky with bitter melon finish 

Rating (on my very non-scientific scale): 94/100.


Cheers,
Hendy

SMWS & Starward: Distillery 148 lands with two impressive releases [Tasted #535 & #536]

I heard a funny comment about the Scotch Malt Whisky Society the other day - that technically only one quarter of their name fully describes what they do. They no longer bottle only Scotch whisky, they no longer bottle only malt whisky, they no longer bottle only whisky...but they are still a Society (one of which I've been a devoted member since 2013).

Some may think the inclusion of grain whiskies, world whiskies and other spirits has changed the Society, and I agree - it's changed it for the better. This blog was always about enjoying whisky (and the occasional dark spirit) on its merits and flavour alone, regardless of where it comes from or how old it is, and that's a philosophy SMWS really take to heart.

So when SMWS started bottling whiskies from "new world" whisky countries like Taiwan, India, England, Denmark and Sweden, to me it wasn't a case of "Oh no, they're deviating from their roots!" it was a case of "OK, so when will we see an Aussie distillery?" 

That question was answered last month, when Luke McCarthy's excellent Oz Whisky Review broke the news that, finally, an Australian SMWS distillery code had been announced. Distillery 147 (Sydney's excellent Archie Rose) had the honour, with their 2yo 147.1 "Jacaranda Jam". Long-time readers might remember that time Archie Rose let me make a nuisance of myself by "helping" them "make whisky" one morning back in 2015 (long story short: it was great, educational fun).

Photo credit: SMWS Australia

They say "good things come in threes" and that's certainly the case here, as TimeforWhisky.com is pleased to be the very first to break the news that hot on the heels of 147.1 comes 148.1 (and in 2022, 148.2) - from none other than Melbourne's Starward!

Further down you'll find further details and my tasting notes on both releases (a huge thanks to Matt Bailey for the samples & opportunity), but I felt this was a good chance to revisit some key events in the history of Starward, and pull out a few highlights Hendy and myself have experienced over the years.

2013 was the year Starward's first whisky was released (matured in Australian ex-Apera casks), and was the result of 6 years of hard work, stemming from founder David Vitale's vision to create a quality, accessible, distinctly Australian whisky. It seems obvious now, but looking at Starward's recent success and immense following, but back then it was a big gamble.

TimeforWhisky.com's friendship with the distillery goes back to early 2013, when David was kind enough to give up an hour during a flying visit to Sydney to sit down and talk me through the (then) "New World Whisky Distillery" over a coffee at Shirt Bar. David generously gave me a 200mL bottle of the whisky, and my tasting later that evening confirmed this was one to keep an eye on! 

Fast-forward a few months to late 2013, and David was again kind enough to give me an in-depth, private tour of the distillery (the old Essendon Fields-based distillery, before the move to Port Melbourne), tasting the various stages along the way - wash, new make, and maturing cask samples. 

For me this it was a fascinating insight into this new Aussie distillery, and a real eye opener as to the differences between UK and Aussie distilleries - which was never more apparent than when I asked about the "spirit safe". David showed me the open, sheet-metal fabricated box (below) where the spirit ran off the stills, and asked if I'd like to have a taste - by cupping my hands underneath and scooping some up! Something you could never get away with in Scotland!

It wasn't long after that that Steph and I moved to Hong Kong & expanded TimeforWhsky.com into Asia, and Hendy came on-board to continue the Aussie coverage. Moving to HK meant leaving behind 99% of our whisky collection and taking only 1 bottle each, but for me the choice was easy - Starward's very first "New World Projects" Single Cask Release #1. I figured this had to be the only bottle in HK (if not Asia), and I used it to spread the good word of Aussie whisky until the bottle was emptied. 

I stayed in touch with David, and the following year had the pleasure of arranging Starward's very first tasting outside Australia, with David taking a small group of HK whisky lovers through an eclectic mix of Starward whisky, new make and gin. By that point, the Starward range had grown to encompass two core bottlings (a red-wine matured whisky sitting alongside the original ex-Apera product), along with a few weird and wonderful "New World Projects" releases.

Funnily enough, 6 years on I still regularly have whisky catch-ups with some of the same people (often at the same venue) only now they're bringing Starwards to the tastings themselves (not an easy feat, considering Starward still isn't officially distributed in Asia)!

It's hard to believe that was 6 years ago, but since then it's seemed the distillery can do no wrong, with the move to brand new distillery right in the heart of Melbourne (the main reason for my 24hr trip to Melbourne in 2018), multiple new release whiskies (some limited, like the recent Unexpeated and the ever-popular "Ginger Beer Cask" series, some permanent, like the innovative Two-Fold blended "Double Grain", which Hendy had the pleasure of seeing launched at the Distillery in 2019), and even a bottled cocktail series, including 2019's delicious "Red Manhattan".

...which brings us to today. It's probably fair to say that as a young distillery, having your stock sought by independent bottlers is a clear sign of your popularity, and Starward has (in the last year alone) been bottled by no less than 3 well-respected "Indies": Berry Bros & Rudd, Adelphi and That Boutique-y Whisky Company (the latter tasted by Hendy back in May).

Now however, Starward can add another feather to their cap: being bottled not just by another independent bottler, but by the world's leading whisky club, The Scotch Malt Whisky Society.

SMWS 148.1 Starward "Apera for Everyone!" will be the first release, a 6yo single cask "dot one" distilled on 27 November 2013 and matured in a 1st Fill Apera barrique. Sitting in the "Deep, Rich & Dried Fruits" flavour profile, this is the oldest independently bottled Starward ever released, and was distilled at the original Essendon Fields distillery. Bottled at 58.3%, it will be accompanied by a special historical write-up and released in the October Outturn, launching via regular and ballot release on Friday 1st October at midday AEST. From an outturn of 210 bottles, 174 will be made available to Australian members (the remaining 36 will be heading to the UK).

SMWS 148.2 Starward "Kirsch Me Quick", from the "Spicy & Sweet" flavour profile will follow in early 2022. A 3yo single cask bottled from a 1st Fill red wine barrique, it was distilled on 27 April 2017, weighs in at 55.5% and will see 274 bottles released (238 for Australia, 36 for the UK). 

So enough waiting....how do they taste!?

SMWS 148.1 Starward "Apera for Everyone!" (58.3% ABV, 6yo, Melbourne, Australia, Pricing TBC, Available from 1st October via SMWS.com.au)

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Colour: Golden-brown treacle.

Nose: At first, that big fruity Apera hit, but then a nuttiness emerges, along with a slightly leathery herbaceousness. After time, some berries and cherry notes With a few drops of water, more fruit, with pear and some peach showing through. 

Palate: Initially: wow. Big apricot and peach notes, then chewy milkbottle lollies, caramel chews, fresh toffee and Manuka honey. Water adds a little herbal smoke and vanilla cream. Incredibly complex and delicious.

Finish: Warming, soft, and lasting for days, with apricot and fruit compote.

Rating (on my very non-scientific scale): 92/100. Super complex, AND super delicious. Starward casks set a high barrier as it is, but this goes well beyond. An absolutely unique and stellar dram.

SMWS 148.2 Starward "Kirsch Me Quick" (55.5% ABV, 3yo, Melbourne, Australia, Pricing TBC, Available early 2022 via SMWS.com.au)

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Colour: Reddish golden-amber.

Nose: Fresher than the .1, with more red fruits & some dried fruits. There's a slight herbal note and dehydrated orange wheels. Water doesn't change it much.

Palate: Spice, soy, herbs, cigar tobacco - it reminds me a lot of other ex-red wine Starward single casks I've tried. The complexity and balance is excellent for a 3yo. There's a slight BBQ meatiness too, and with water, a more tannic / drying note, with more spice and less fruit (IMO, it's better without water).

Finish: Salted chocolate, long and slightly drying with berry-like tannins.

Rating (on my very non-scientific scale): 90/100. Closer to the single casks Starward fans know and love than the "dot one". Very good, and instantly recognisable as a Starward.

It's been my immense pleasure to break the news of this pairing of my favourite whisky club and one of my favourite distilleries, and equally great to see Starward come so far over the years. Well done to all involved, and a big thanks to Matt Bailey and the SMWS for the opportunity to taste and talk about these whiskies.

Cheers,

Martin.

Note: This article contains affiliate links. TimeforWhisky.com may earn a small commission on subsequent purchases made through these links.

Tasted #330: SMWS 127.44 (Bruichladdich - Port Charlotte)

One of the highlights from the Australian branch of the Scotch Malt Whisky Society this year was the resurrection of the Australian Malt Whisky Tasting Championship back in July, as well as the Fèis Ile Society festival bottling that was served up at the after-party - 127.44: Cantina Mexicana (which I thought was superb at the time). Lo and behold, three months following, this special Society release was made available through all the Society partner bars and also through last month's Australian Outturn.

This year is the second year that SMWS have released a Feis Ile festival bottling, following the success it had with the first release last year. This year's release takes its spirit from Bruichladdich (specifically, their peated Port Charlotte expression denoted by the Society code 127).

The Port Charlotte spirit in Cantina Mexicana was distilled in August 2003 and matured for 12 years in a second fill oloroso sherry butt before being bottled at an astounding 65.9% ABV - resulting in one remarkable Port Charlotte expression.

SMWS 127.44 "Cantina Mexicana" Bruichladdich: Port Charlotte (65.9% ABV, 12yo, One of 588 bottles from a second filled sherry butt, Islay, Scotland, $299AUD)
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A rather special Port Charlotte that is laden with rich maritime and spice notes. This release was a stunner and a truly special Feis Ile bottling from the Society.

Colour: Dark gold with amber tinge

Nose: The nose is rich and earthy, pleasant and powerful. It's filled with light bonfire smoke, dry grass on a Summer day and hints of Charcuterie served with dry raisins.

Palate: The palate is drying, filled with briny salt, sweet cinnamon bun, pineapple pizza and then you are hit with loads of habanero pepper spices. Loads of briny salt and spices on the palate, so much that it left a tingling and drying sensation.

Finish: The finish is exquisite and elegantly long with plenty of pepper spice that remained.

Rating (on my very non-scientific scale): 93/100.

Cheers
Hendy

This week in whisk(e)y #34 - New Australian SMWS partner bar, JW Rye Cask Finish, Sydney Indie Tasting showcase and Bar High Five comes to Hong Kong

As you might know if you read this blog regularly, we get a fair few interesting press releases and news articles here at TimeforWhisky, and usually try to feature them with our own spin, experiences or comments. Sometimes though, they come thick and fast, and we just don't have time to do them all justice.

So we've decided to take a leaf out of some other excellent whisky blogs, and feature a "PR roundup" every now and then - basically a wrap-up of relevant press releases we've received in the previous week or so (including other interesting whisk(e)y news Steph, Hendy & or I think you might enjoy). So on with it then...

The Gresham becomes Queensland's first SMWS partner bar

Joining the ranks of some of our favourite Aussie bars, including Whisky & Alement, Eau de Vie and Shirt Bar, is Queensland's The Gresham, recently been announced as Queensland's first (and only) Scotch Malt Whisky Society partner bar.

According to Matt Bailey, Brand Ambassador for SMWS (and good mate of TimeforWhisky):

“What we look for in a partner is those who have a proven dedication to serving their guests the best spirits in the world,” he said “It’s not just about stocking the world’s best whisky, it’s about the people serving that product having extensive knowledge and are passionate about single cast and cast strength Scotch Malt Whisky. 

Ryan Lane’s the manager there, his team and the owners of The Gresham all have a demonstrable track record of excellence in product choice and knowledge, not just in whisky but in all the beverages they stock and the way they serve them”.

One to check out if in Brisbane.

New Johnnie Walker "Rye Cask Finish" released in Australia

We heard about this one a while ago, and now the Johnnie Walker Rye Cask Finish is available in Australia. Whilst the "rye" in the name might throw a few people, this is still very much a blended Scotch whisky - just one finished in ex-rye whiskey casks. We love a good rye here so it'll be interesting to see what effect ex-rye casks have on a 10yo, Cardhu-heavy Johnnie Walker blend.

Somewhat bucking the NAS trend, this one's bottled with a clear (10 year old) age statement on the bottle, and also at a healthy 46% ABV (as opposed to many blends nowadays, bottled at 40 or 43%).

Quoting the press release:

"Rye Cask Finish is a Scotch whisky blend that showcases the best of Scottish blending and maturation expertise and has already picked up numerous international awards including gold at The International Spirits Challenge 2016 and silver at the 2016 San Francisco World Spirits Competition.

With Cardhu single malt at the heart of the blend, Johnnie Walker’s Master Blender Jim Beveridge used whiskies matured for at least ten years in first-fill American Oak casks. He finished the Scotch in ex-rye whisky casks, creating a complex new whisky with rich layers of flavour starting with creamy vanilla notes and transitioning to a more spicy finish.

Johnnie Walker Select Cask – Rye Cask Finish is the perfect gift for Father’s Day (available nationally) and has a recommended retail price of $70 (700ml)."

We'll hopefully have our own tasting notes posted in the near future.

"Indie Tasting" independent spirits showcase returns to Sydney

On Sunday 18th September, Sydney will see over 40 suppliers showcasing 120 boutique spirits at the annual "Indie Tasting", to be held at the always-fun Frankie's Pizza (I mean the "always fun" part. On a recent trip back to Sydney, I visited on a Tuesday night and what I saw was a scene I thought was long-dead in Sydney, thanks to the lockout laws...riotous good times.)

Not to be confused with Independent bottlings (aka "Indies" or "IBs") which often provide an alternative insight into a particular distillery, this event celebrates small, boutique, independent (I hesitate to use the word "craft") spirits.

Indie Tasting founder, David Spanton, shares, “These definitely aren’t your run-of-the-mill bottleshop offerings. Many haven’t even made it to the bottleshop or backbar yet. Thanks to a boom in the local distilling industry, home grown Aussie spirits are making a big appearance. This showcase is about helping small brands get more visibility in today’s competitive market. And Sydney is the perfect city to host such an event with its thriving small bar scene and passionate bartending professionals and drinkers.”

Brands on show will include Young Henry's (yes they do spirits now!), Poor Tom's, Applewood (their Red Okar is a pretty unique alternative to Campari), Adelaide Hills, Beenleigh, Husk Distillers, Hippocampus, Four Pillars, West Winds, Melbourne Moonshine and whisky distillery Whipper Snapper, not to mention six distilleries from North Carolina, including one producing a "blonde whisky" (?!), which sounds intriguing.

With tickets only $40 (pre-sale) or $50 (on the door), it sounds like a pretty bloody good way to spend a Sunday arvo.

Details:
Indie Tasting Sydney
Sunday, 18 September, 12pm – 5pm
Frankie’s Pizza, 50 Hunter St, Sydney, NSW 2000
Tickets: $40 online, $50 on door (pending availability).
Link: https://www.eventbrite.com/e/indie-tasting-sydney-2016-tickets-26191609810

Bar High Five (pop up) comes to Hong Kong
Earlier this year Hong Kong's Landmark Mandarin Oriental welcomed famed NYC bar Please Don't Tell (PDT) for a pop-up, taking over the small upstairs part of MO Bar ("The Shell") and turning it into an incredibly realistic replica of the original bar.

This September and October it's set to happen all over again, this time with Japan's Bar High Five - a Japanese cocktail institution and currently rated Asia's third best bar.

Ensuring the utmost authenticity, the bar will be presided over by founder Hidetsugu Ueno (winner of this year's International Bartender of the Year award at Tales of the Cocktail). We've met and exchanged a few e-mails with Ueno-San over the past few years (most recently during this year's Tokyo International Bar Show + Whisky Expo) and as well as being an absolute master of his craft, he's a really nice, genuine bloke.

"With BAR HIGH FIVE founder and master bartender, Mr Hidetsugu Ueno, heading the cocktail-making team, the pop-up will open in MO Bar’s upstairs private room, The Shell, between 1 September until 31 October 2016. The Shell will be transformed into a jewel-box venue reminiscent of Mr Ueno’s glamorous Ginza institution.

Guests are invited to join an Instagram photo contest to win a two-night stay for two people at Mandarin Oriental, Tokyo and visit the original BAR HIGH FIVE in the city’s Ginza district.

Mr Ueno and his team of award-winning mixologists, Ms Kaori Kurakami and Ms Yuriko Naganuma, will present 14 specially crafted cocktails at the pop-up. Since starting his career in 1992, Mr Ueno has won many awards and consistently been a finalist at the world’s leading cocktail contests.

The pop-up will shine a light on the idiosyncratic art of Japanese bartending, celebrating Mr Ueno’s legendary theatrical approach, which includes meticulously carving giant blocks of ice into intricate diamonds, a spectacle guests find as enjoyable as the crafted and often playful cocktails he makes.

To complete this exclusive experience, The Landmark Mandarin Oriental, Hong Kong’s Culinary Director, Richard Ekkebus, will present a bespoke menu of gastronomic treats, including charcuterie of Ibérico Bellota Ham and the finest Iberian specialities by Bellota Bellota."

It's fair to say we're a little bit excited about this one. Stay tuned for a review and plenty of photos of the transformation in early September.


Until next time...

Cheers,

Martin.

Dramnation: World Whisky Tour

As you may know, we're a big supporter of local whisk(e)y figures that continue to inspire and educate people on the industry and its whiskies. Earlier this month, our friend Matt Wooler, founder of Dramnation hosted their first inner city tasting at Pocket Bar in downtown Sydney. Continuing from the first World Whisky Tour tasting series in May which was held at Crooked Tailor, Castle Hill , the second series of the tour expanded the tasting collection to also include whiskies from Brittany, France and Arkansas, USA.

As we'd written last year, Dramnation was founded with the aim of imparting knowledge and introducing whisky appreciation for individuals, and it's great to see them continuing that mission.



We were invited by Matt to join the tour and to celebrate their inaugural inner city tasting. As with all Dramnation tasting events, guests were welcomed with a cocktail. This event saw the classic Whiskey Smash cocktail back in action (based on the Old Forrester Bourbon), which proved to be quite a refreshing opener to the night. The second series of the tour revisited a number of highlights from the first tasting, and there were whiskies from different regions of the world too, including:

• The Hakushu Distiller's Reserve (Japan)
• Armorik Classic Single Malt (France)
• Kavalan Port Cask Finish (Taiwan)
• Starward Solera (Australia)
• SMWS B3.2 Ooey-Gooey Cinnamon Bun (US)
• Paul John Edited Single Malt (India)

The line-up included one very special bottle from The Scotch Malt Whisky Society (SMWS) - B3.2 or so cheekily titled 'Ooey-gooey cinnamon bun' - a bourbon whiskey from the Rocktown Distillery in Arkansas, USA. The 2 in the B3.2 denoting that this was a second Society release from the Rocktown Distillery. The inclusion of a Society bottle added to the eccentricity of the line-up and helped ensure guests were treated to an extensive range of profiles of the different world regions.



What has always stood out for me at each Dramnation event is the immaculate setup and the superb attention to detail on the setup. As much as you can touch and feel (and taste) the whiskies -- you can equally explore different sensory experiences that are scattered across the tasting tables. Bottles filled with barley, rye and corn -- showcasing the mix for bourbon whiskies, cinnamon sticks, licorice and chocolate are just few of the items that are presented for guests to appreciate. Mozzarella and cheddar cheeses were also made available on each table with the notion being that the different cheeses can invoke or cleanse one's palate. The mozzarella cheese was what Matt described as a palate cleanser, a type of cheese that help to neutralise your palate. The cheddar cheese complements the tasting, by being a palate exciter, a good cheese to have before each dram.



The night itself was co-presented between Matt, Matt Bailey of The Scotch Malt Whisky Society and Jeremy Daunay, founder of Le Baron des Spirits who was there to represent Armorik (a distillery we'll soon be featuring in detail in an upcoming post).

Jeremy opened the night with the Armorik Classic Single Malt; a clean and light malt from Brittany, France. Armorik, being a recent addition to the local market certainly pleased the crowd and will be one whisky to watch over the next year. It wasn't that long ago that Jeremy presented the Armorik series at The Wild Rover and I recalled truly enjoying the different expressions.



Each host spoke to the different whiskies, outlining the differing factors that make up the individuality of each, and how the extent of maturation in the different regions varies. Perhaps the adage that age is just a number rings true in certain circumstances. This was certainly true for Kavalan, Starward and the Society B3.2 (Rocktown Bourbon) where they have all been matured for 3 years or less and yet their punchy profile certainly did not disappoint.

Full tasting notes on all the whiskies presented on the night were provided to all the guests and have also been published on the Dramnation site here.

The inaugural Dramnation tasting at Pocket Bar was a success and it was fun, insightful and introduced people to the whiskies from the different regions. The night even saw a beer into the mix with the Gage Road ESB being introduced to complement a couple of the whiskies.

Keen to check out the next Dramnation event? Dramnation have published the dates for their next events through to October. Taking a similar themed approach to whisky appreciation, the upcoming events will focus on different aspects of whisky distilling and whisky appreciation. For more details or to book on the following events, visit the Dramnation site. Specific upcoming dates are:

• 30/07 - Wine Cask Whiskies Session 1, 2016 at Crooked Tailor, Castle Hill
• 20/08 - Smoke Stacks Session 1, 2016 at Crooked Tailor, Castle Hill
• 22/10 - Southern BBQ Boilermarkers at Crooked Tailor, Castle Hill

TimeforWhisky.com attended the Dramnation World Whisky Tour Tasting Class as a guest of Dramnation, with thanks to Matt Wooler.

Cheers

Hendy

This week in whisk(e)y #33 - Australian Malt Whisky Tasting Championship 2016, Jack Daniel's 150th Anniversary & A Time Travelling Drinking Experience

As you might know if you read this blog regularly, we get a fair few interesting press releases and news articles here at TimeforWhisky, and usually try to feature them with our own spin, experiences or comments. Sometimes though, they come thick and fast, and we just don't have time to do them all justice.

So we've decided to take a leaf out of some other excellent whisky blogs, and feature a "PR roundup" every now and then - basically a wrap-up of relevant press releases we've received in the previous week or so (including other interesting whisk(e)y news Steph, Hendy & or I think you might enjoy). So on with it then...

Winner of the Australian Malt Whisky Tasting Championship Announced
The Australian Malt Whisky Tasting Championship was held last week at the fun-filled Madame Tussauds in Sydney. We joined in on the fun where eight whiskies were laid bare for a blind tasting followed by a riotous, celebratory night. 

We'll post our coverage on the event shortly, though in the meantime, the following press release highlighted the three winners of this year's Championship. All we can say is that it was tough.

"WINNER OF THE AUSTRALIAN MALT WHISKY TASTING CHAMPIONSHIP ANNOUNCED:

1st Place: Adrian Callus
2nd Place: Bill Bannear
3rd Place: Graham London

On Saturday 23rd July 2016, whisky enthusiasts from all over Australia gathered in Sydney to compete in (or spectate at) the nation’s biggest whisky competition at the Australian Malt Whisky Tasting Championship, hosted by the Scotch Malt Whisky Society. This year saw twice as many competitors than ever before, all vying for a place on the podium where only one can take home

1st Prize: Being crowned the Malt Whisky Champion of Australia!

With everyone seated, competitors had 30 minutes to assess eight whiskies in a blind-tasting format. Each competitor was provided with a list of nine possible whiskies – the eight on the table, plus one red herring. The task was to correctly identify which whisky was which.

This year’s line up of whiskies featured an incredibly difficult lineup of Speyside malts that were similar in style, and it took some pretty experienced and knowledgeable palates to discern them apart. Three competitors tied for first place and it took no less than two rounds of taste-offs to determine the placegetters, with Adrian Callus clinching the win.

As a reward for his efforts and claiming first place, Adrian was crowned the Malt Whisky Champion of Australia and won a trip for two to Tokyo, which includes two night’s accommodation at the Park

Hotel, and an incredible whisky tasting experience at the Scotch Malt Whisky Society’ bar, located in the Park Hotel.

With the competition part of the evening over, the party began! Four varied and unique single cask bottlings from the SMWS were featured at the Society Bar on the night, including the yet-to-be-released Feis Ile Cask 127.44. Glenfiddich, a long-time generous supporter of the SMWS, again set up their Glenfiddich cocktail bar where competitors and spectators could indulge in their incredible cocktails, as well as Glenfiddich’s premium offerings of their 15yo, 18yo, and 21yo Gran

Reserva expressions. In the rotunda was Sydney Cocktail Club’s Sensory Bar, an adventure through the tastes and sensory aspects of great spirits, and then of course the incredible beers straight from the tap of Gage Roads Brewing Co. Thanks are also due to The Oak Barrel in Sydney for their generous support of 3rd prize, and Vintec for their support of the event."

Congrats to all winners, and everyone who took part!

Jack Daniel's Presents: Australia's First Time Travelling Whiskey Experience & A Worldwide Barrel Scavenger Hunt
We've shared a number of special Jack Daniel moments in the past, including the various Jacktember celebrations and being part of The Bar That Jack Built. This time, to celebrate the 150th anniversary of the Jack Daniel Distillery, Assistant Master Distiller, Chris Fletcher is visiting Australia and will host a number of events an masterclass.

150 years of cocktails

Quoting the press release:

"Jack Daniel’s is set to make an impact in Australia as part of the global celebrations marking the 150th anniversary of the Jack Daniel Distillery in Lynchburg, Tennessee. Assistant Master Distiller Chris Fletcher will be visiting Australia for the first time to share his incredible knowledge of whiskey making as he hosts time travelling whiskey experiences across the country.

Throughout July and August, connoisseurs in Sydney, Brisbane and Perth will be taken on ‘A Journey through 150 Years of Craft & Cocktail Culture’, enabling them to sample the sights, sounds and signature cocktails from iconic eras in Jack’s history at secret locations in each city.

For this one-of-a-kind tour like no other, prepare to step back in time to 1920s prohibition, encounter the suave style of Frank Sinatra before embracing the thrilling times of 70s, 80s and 90s rock ‘n’ roll. Culturally so much has changed all the while Jack has been making his famous whiskey in one way, in one place for 150 years.

The milestone certainly calls for a celebration and at each event guests will also be able to raise a toast to the 150th anniversary with a celebratory cocktail designed by Chris Fletcher. The evening’s complimentary entertainment will further include a whiskey tasting masterclass led by Chris, where attendees will be able to put their sensory skills to the test to discover what it takes to be a Jack Daniel’s Master Taster, one of the most important and respected jobs at the distillery.

As Assistant Master Distiller, Chris Fletcher uses his extensive knowledge of the whiskey making process to lovingly craft the world’s best-loved whiskey according to Jack’s time honoured recipe.  Since 1866, Jack Daniel’s has been made in Lynchburg, Tennessee and it’s Fletcher’s job to ensure that the dedication to making great whiskey remains true to Mr. Jack’s motto of “Every day we make it, we’ll make it the best we can.”

Chris Fletcher, Assistant Master Distiller, Jack Daniel’s comments:
“I’m excited to be heading to Australia to bring an authentic taste of Southern hospitality Down Under as I tell a few stories about the place I call home. My knowledge of whiskey was passed down first-hand by my grandfather, retired fifth Master Distiller Frank Bobo, I’m honoured to now be following in his footsteps under the guidance of Jeff Arnett, the seventh Master Distiller since 1866, and thrilled to be a part of the global 150th anniversary celebrations.”

Chris is not the only Lynchburg original coming to our fair shores, as the festivities continue throughout Australia with a global scavenger hunt featuring real barrels from the distillery. Uniting friends of Jack across the world, the Barrel Hunt will visit more than 50 countries in 90 days giving whiskey fans the chance to win money-can’t-buy prizes to commemorate the 150th anniversary. Select barrels will also include VIP tickets, travel and accommodation to the worldwide celebration taking place at the Lynchburg distillery this October. Clues as to the whereabouts of the 10 whiskey barrels hidden across the country will be revealed on the Jack Daniel’s Australia Facebook page.

“The barrel is key to crafting Jack Daniel’s Tennessee Whiskey as it accounts for 100 percent of its colour and 70 to 80 percent of its flavour,” said Jack Daniel’s Master Distiller Jeff Arnett. “It’s an important part of our process that’s remained unchanged for 150 years, and that tradition will continue to live on in every barrel we make and each drop of our whiskey. As the only major distilling company that makes our own barrels, the Barrel Hunt celebrates the distillery’s history and gives fans a chance to own a barrel and be forever tied to Jack Daniel’s.”

To find out more about Jack Daniel’s and the Jack Daniel Distillery’s 150th anniversary visit Facebook.com/JackDanielsAustralia."

We will post our coverage of the celebration shortly.


Until next time...

Cheers,

Martin & Hendy. 

Tokyo International Bar Show + Whisky Expo 2016 review

Call me a creature of habit, but a few weeks ago I did exactly the same thing I did last year, and flew to Tokyo for 36 hours to attend the 2016 Tokyo International Bar Show + Whisky Expo - aka "TIBS".

Why? A few reasons:

• The whisky culture in Japan is just incredible. Not just Japanese whisky either - Japan's love of all whisky, especially Scotch and American, is endless. It shows in their expos (like TIBS and Whisky Live / Modern Malt Market, which we also attended last year), it shows in the special Scotch releases that no other market receives, it shows in their absolutely incredible whisky bar scene, and it shows in their own local whiskies too.
• The cocktail / bar scene is equally as impressive - I'd go so far as to say the best in the world; and
• The annual bottlings released at the show are always high quality, well-priced, varied and fun to bring home.

It helps too that Cathay have flights from Hong Kong that drop you into Tokyo at 6am on Saturday, allowing you to leave 6pm Sunday, all without taking a day off work.

..and so it was decided - I'd follow the same routine as last year and fly into Tokyo Saturday morning, have a quick shower and change at the hotel, then head to the show for a day of whisky....

As is tradition, the show kicked off with an introduction from the invited guests, who assembled on the main stage and included:

• Cocktail legend Gary (Gaz) Regan (of Regan's Bitters)
• Angus Winchester (Global Tanqueray Brand Ambassador)
• Islay native / expert Christine Logan (aka "Lady of the Isles")
• Stewart Buchanan (Global Brand Ambassador for GlenDronach, BenRiach & Glenglassaugh); and
• Local legend Ichiro Akuto (who should need no introduction!)

Following the brief introduction, and noticing the annual bottle queue had already snaked around the venue, I headed over to the Shinanoya stand to see what was on offer, and started my day with a dram of 20yo single cask 1995 GlenDronach from a PX Puncheon, bottled exclusively for Shinanoya. There are worse ways to start the day...

From there it was a short hop over to the always-popular Venture Whisky (aka Ichiro's Malt / Chichibu) stand. Unfortunately the annual Chichibu bottling (a 5 year old single cask ex-American Oak) wasn't available for tasting on the stand, but the core lineup bottles, along with a number of cask samples, were.

One thing I love about Akuto-San (and his wonderful brand ambassador, Yumi-San) is that no matter how popular their small distillery has become, they still go to the trouble of bringing along a few rare / unique / interesting / cask sample bottles (often accompanied by a "Bottle 1 of 2" label). TIBS 2016 was no different, with samples from four casks, all bottled in May 2016:

• French Oak ex-Wine Cask (1st fill), distilled in 2011 and bottled at 61.4% ABV. My favourite, with a deliciously earthy, tannic (but not bitter) palate and a lovely nose of berries.
• American Oak Bourbon Barrel (1st fill), distilled in 2010 and bottled at 60.6% ABV
• Virgin American Oak "Chibidaru" (literally "small") quarter cask, distilled in 2010 and bottled at 61.9% ABV.
• American Oak Bourbon Cask (1st fill), containing peated spirit distilled in 2012, also bottled at 61.9% ABV

All were fantastic, and showed incredible variety considering the new make in 3 of them was identical, and they'd only had between 3 and 6 years' maturation. A true testament to Akuto-san's skill.

With Ardbeg Day / Night just around the corner, Ardbeg were offering attendees cocktails, drams of the core lineup, and the chance to win tickets to the Tokyo event. 

The stand also featured Shortie (Ardbeg's famous Jack Russell mascot), but unlike the toy Shorties of 2013, or the real Shorties of 2014, this was a taxidermied Jack Russell, which was more than a little creepy....

Moving next door and keeping with the Islay theme, it was onto Lagavulin, who were showcasing the new 200th Anniversary 8 year old, available once visitors "Liked" the Lagavulin Facebook page. Having tried it a few weeks earlier, I didn't partake (though it is a good dram - notes up shortly).

The stand also offered visitors the chance to have their photo taken "inside" a 3D glass of whisky, which worked well when the photographer got the angle right... (as not evidenced here):

A few short steps away was the Scotch Malt Whisky Society stand, which had an impressive selection of over 20 bottles. While all required at least a few tokens (sold at ¥1000 for a book of 5, and required to sample the rarer whiskies on offer), the prices were very reasonable and they were offering generous member discounts.

I took the opportunity to try a young Rocktown Bourbon (B3.2 "Ooey-gooey Cinnamon Bun") which friends back in Australia had raved about - and with good cause. It was a brilliant dram, very reminiscent of a big fruity jam donut. Delicious.

As you can probably tell from the photos above and below, I brought my own Glencairn glass to Tokyo. Extreme? Perhaps, but Japanese whisky shows tend to be notorious for not offering proper glassware, as was the case again this year with most drams being poured into tiny little ~30mL plastic cups.

I get the hassle involved with having to provide thousands of glasses (and either collect them at the end, or build them into the price of the ticket), but small plastic cups are not really conducive to properly tasting / assessing quality whisky. It's literally my only complaint about the otherwise brilliant Japanese whisky expo scene, and it's a minor one.

Kavalan had a large range on offer, but the prices to taste most of them were (in my opinion) unreasonable, especially for the recent award-winning Amontillado cask, which ran about $25AUD / $145HKD for a small taste.

As the giants of the Japanese whisky industry, Nikka and Suntory had large stands, but (understandably) with no standout products, and only the basic NAS single malts on offer. As distributors of Edrington and William Grant & Sons products in Japan, Suntory were also offering pours of The Macallan and Glenfiddich, including Macallan Rare Cask and Glenfiddich 21.

Mars were offering their "Wine Cask Finish" Komagatake (which, like the aforementioned Chichibu, balanced the deep berry notes without being overly tannic or bitter), although on later reflection I realised we'd never heard of this particular release, as it's neither the blended "Wine Cask Finish" that was released in 2014, nor the 10yo single malt "Wine Cask Finish" that was released in a short squat bottle. Google was little help, so we're still not sure exactly when this one was released!

Smaller distilleries were well-represented too, including Chicago's Koval (which we first tasted back in 2014) and Finland's Kyrö Distillery Company, who were offering their gin (tasty) and rye (young but showing promise). 

Independent bottlers were also well-represented, and continued to showcase the level of quality we've come to expect from indie bottlings made available to the Japanese market.

GlenDronach, BenRiach & Glenglassaugh were also well-represented, as was their recent new parent company Brown Forman. In addition to the core GlenDronach line-up, a 1995 single cask and the latest cask strength, there was also a bottle of GlenDronach new make - a rare opportunity to taste the raw product that, 18-20 years later, becomes one of my favourite sherried whiskies. With lots of oats and breakfast cereal, it was smooth, flavoursome and very drinkable. I suspect this was a recent batch of new make, and not the pre-2004 spirit from coal-fired stills.

BenRiach's new Cask Strength Batch 1 was also a treat - I'd heard good things before and they were all true. Lots of tropical fruit and gummy bears for me.

After all that whisky, it was time for a cocktail to reset the palate, and who better to share one with than bartending legend Gary (Gaz) Regan? Gary hosted a small masterclass focusing on a few of his creations from years gone by. including one odd creation involving chilli powder (which was interesting, but two sips was enough...)

With the cocktail class over, it was back to the drams, a quick visit to Bacardi's "pop up speakeasy" (a cool idea for a 2 day bar expo, but one we're reliably informed was already done by Hendrick's several years ago), and then time to call it a day and head back to the hotel for a quick freshen up before heading off to my favourite whisky bar in Tokyo - The Mash Tun in Meguro, where I tried this ridiculous 1979 single cask ex-Mizunara Yamazaki, and a 43yo Longmorn (amongst others).

Day 2 saw me arrive early enough to lock in a bottle of the annual Chichibu, as well as a 20 year old Springbank single cask bottled just for the show. There was a ~16yo Karuizawa too, but at ¥145,000, it was a lot more than I was happy to spend (and others too it seems - as there were still some left long after many of the other bottles had sold out).

Whilst not for sale, there was also a hand-filled Bowmore on tasting which was delightful, and a great way to kick start the day. We'll have full tasting notes for Chichibu, Springbank and Bowmore up in a separate post shortly.

My second masterclass of the show was with Christine Logan (aka "Lady of the Isles") - an Islay native, expert, and former Bowmore employee of over 25 years. Christine's class focused on pairing Islay produce with Islay whiskies, and whilst the first two whiskies themselves were pretty standard (Laphy Select and Bowmore Small Batch, from memory), the final was something much more special. One nose and I knew it was something I'd enjoy very, very much...

...and it turns out I was right - it was one of my all time favourite whiskies, the 1989 Bowmore Port Cask! Every single time I've tried this whisky, I've absolutely loved it, and this was no exception.

With my flight back to Hong Kong looming, there was just enough time to drop by the Chichibu / Venture Whisky stand a second time for another dram, grab an obligatory photo with Akuto-San, and then plan my exit.

...but not before I was convinced to make a brief stop at the Hendrick's stand for a de-constructed gin tasting. I've always said gin is the whisky drinker's white spirit, and the chance to do a tasting of all the components that make up one of my favourite gins (including a full-proof example at 70% ABV) was too good to pass up. Big props to Hendrick's for using real glassware at their booth too - both for tasting and cocktails.

So after nearly 36 hours on the ground in Tokyo, that was it - another Tokyo International Bar Show done and dusted. It's hard to say if there was more or less whisky present compared to 2015 (possibly a bit less), but the quality was high, the variety was great, and the people, as always, awesome.

Would I recommend the show? Absolutely. Will I return next year? Probably!

Until next time Japan, Kanpai!

Cheers,
Martin.

TimeforWhisky.com would again like to thank Ueno-San (of the excellent Bar High Five, which we finally visited on this trip) for the press pass and kind hospitality at the show.