Showing posts with label Nikka. Show all posts
Showing posts with label Nikka. Show all posts

Thursday, 12 August 2021

What is "Japanese Whisky" these days?

If you go back 10 or so years, the term "Japanese whisky" generally meant (to most whisky drinkers) Yamazaki or Hibiki. Maybe for some well-versed drinkers, Miyagikyo, Mars Komagatake or Yoichi. Hardcore enthusiasts were probably aware of whiskies like Hanyu and Karuizawa, but they certainly weren't known outside of a core group of enthusiasts.

Back then, these whiskies were all relatively accessible and comparatively well-priced (yes even the Karuizawas). More or less every Dan Murphy's stocked Yamazaki 12 (at well under $100AUD/bottle), and almost every decent Japanese bottle shop (and even Japan's airports) stocked age-statement Suntory and Nikka whiskies at incredibly fair prices. You could walk into most (good) Japanese whisky bars and try a selection of Ichiro's Malt Cards Series for less than you'd pay for a dram of Lagavulin 16 today.


Then in 2015 a man in a hat said the Yamazaki Sherry Cask 2013 was the best whisky in the world, and everyone lost their mind. Now sure, this was far from the first award ever given to a Japanese whisky (Hibiki 21 for example had won "World's Best Blended Whisky", at the arguably much-more-relevant World Whiskies Awards, several times before 2015), but it did seem to be the catalyst for a barrage of hype, price hikes and scarce availability that continues today.


Some might say the hatted man simply shone a brighter light on what was already an incredibly high quality spirit (and they'd be right), but however you look at it, the hype started building, and casualties followed. In the coming years, Nikka discontinued their beloved age statement single malts (and later, many of their much-loved blends), Suntory temporarily halted favourites like Hibiki 17 and Hakushu 12, and the prices of pretty much all remaining Suntory and Nikka age statement (and NAS for that matter) whiskies skyrocketed. 

...and that's not even mentioning whisky from closed Japanese distilleries (to see how things are going there, just check out these auction prices of a "full deck" of Ichiro's Malt Cards Series from 2015, 2019 and 2020 respectively).


After a few years came the the wave of what many have termed "fake Japanese Whiskies" - those which took advantage of loose legislation in Japan which meant that producers could (and still can, for now) bottle whisky made from 100% imported spirit such as Scotch or Canadian whisky, and sell it as "Japanese Whisky" domestically and around the world. 

Again, the use of non-Japanese distilled spirit isn't a new thing. Nikka for example had been thought to be using Ben Nevis (which they own) in their hugely popular "Nikka from the Barrel", for years, but the rise in Japanese whisky popularity in the past 5 years has seen a big increase in other overpriced, opaque/ambiguous bottlings calling themselves "Japanese", often with samurai or other imagery, with absolutely no guarantee as to where the spirit originated. 

(For the record, I have no problem with the practice of imported spirit being bottled and sold by Japanese companies, and companies like Nikka who are willingly being transparent about the issue should be applauded. My issue is with those being deliberately deceptive, trying to "fool" their customers into thinking the whisky was distilled in Japan when it wasn't.)


More recently though, we've seen a ray of hope emerge - "proper" Japanese whisky from new or newly-expanded distilleries/brands, producing unique, Japanese-distilled spirit, and in the last few years (and especially the last 12 months), we've seen the first whisky releases from many of these start to emerge.

With thanks to our friends at AFTrade Hong Kong, we're going to feature a few of these whiskies over the coming week, with detailed tasting notes and some background into each distillery. Specifically, we'll be trying:
(Links to the articles will be added as they're posted)

We hope these posts give you some insight into these new, exciting Japanese distilleries and a little taste of things to come from Japanese whisky in the future. If you have any thoughts of your own on these whiskies (or the Japanese whisky scene in general) please leave them in the comments below!

Kanpai,
Martin.

Wednesday, 27 April 2016

Tasted #277: Nikka (Yoichi) "Woody & Vanillic"

At the height of the Japanese whisky craze last year, anything and everything Japanese seemed to fetch quite a pretty penny. Nevertheless, the old adage is that one should really enjoy the whisky and not to hoard it for resale. Though personally, I am of the opinion that the trend might slightly buck, given a number of softer than expected sales at the recent Bonham's auction that Martin attended recently.

Enough with the trend analysis though. Locally, I was at Tokyo Bird recently and Bar Manager Yoshi introduced me to a range of Yoichi 12 year old single malts that they had added to their collection last year. The range comprises three expressions;

  • 'Sherry & Sweet'
  • 'Woody & Vanillic'; and
  • 'Peaty & Salty'.

all imparting different notes. Though not rare and certainly not astronomically priced, the Nikka line up was thoroughly enjoyable and delicious. The 'Woody & Vanillic' was my favourite of the three with loads of vanilla, oak and strawberry with a lingering finish. It was delicious stuff.

The below shows all three expressions lined up though I can't seem to find the original shot so I am relaying my Instagram take of the shot.


Nikka Yoichi Woody & Vanillic (55% ABV, 12yo, Yoichi, Japan, $1,480HKD)
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The nose and palate pack quite a bit of sophistication and I do like the big hit of vanilla though the 'woodiness' may not resonate with everyone. Quite a simple dram that you can enjoy any day of the week.

Colour: Amber


Nose: Exciting - there's loads of vanilla, 
banana, raisin and sweet candy.

Palate: Rich and chewy, the vanilla continues on the palate and you can also taste the oak (perhaps what led to the woody name). I also get a nice layer of sweet notes; sweet red frogs (candy), strawberry, pineapple. The palate then slowly fizzles and becomes peppery, black pepper.

Finish: Reasonably long though quite oaky and tannic.

Rating (on my very non-scientific scale): 90/100.


Cheers
Hendy (Sydney).

Thursday, 4 February 2016

Malt Masters HK 2016 preview and tasting (Tasted #253 - 255)

The Malt Masters Hong Kong Whisky festival, as we mentioned back in December, is returning to Hong Kong in a few short weeks, to be held at Conrad Hong Kong on 27th and 28th February. To give give us a taste of what to expect, Malt Masters recently invited media to a private preview and tasting, held in one of the Conrad rooms that will host the festival.

Malt Masters are veterans of the HK whisky scene, having hosted their first festival 3 years ago, and a hugely successful festival in 2015 (which Steph covered here). The Malt Masters connection to the whisky industry goes back much further though, with the father of founder (and good friend of Time for Whisky) Ian McKerrow having previously run the show at Glenmorangie!


Ian opened the preview with an overview of the festival, focusing on the global mix of malts being represented at the festival this year (a theme to continue in our tasting shortly after). In addition to a number of iconic Scottish malts, the festival will feature American, Irish, Welsh, Swedish, Japanese and possibly even Indian whisky brands - both large players and boutique/craft distilleries alike.

Ian also explained that former Macallan and Dalmore Master Distiller David Robertson will be presenting in the VIP room (which will also feature the launch of the 27yo "Prometheus" Speyside single malt and tasting of a 1987 16yo Laphroaig, as well as an impressive lineup of rare and very, very old malts available for purchase by the dram). Pairing will also be a big focus of the festival this year, with cigar, cheese and food pairings all on offer (the latter courtesy of Scotch Broth Events).

Of course it wouldn't be a festival without masterclasses, and there are a number on offer over the two days, including:
  • An introductory class on the language and art of whisky drinking
  • Advice on building a whisky collection
  • Ichiro's Malt Whisky; and
  • The aforementioned pairing classes.

To preview the masterclass format, and introduce us to a few of the brands being represented, Malt Masters' brand ambassador and Head of Whisky Education Josh Tate took us through a tasting of:

Penderyn Madeira Finish (46% ABV, NAS, Single Malt, Wales,  $89.99AUD / £37.28)
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Colour: Light orange-gold.
Nose: Sweet and floral. Taffy, sherbert - lots of sweet sugary confectionary.
Palate: Youthful but not harsh. Slight chalky rubberiness at first, moving into tropical fruits - passionfriut, bananas, peaches. Some grape, white wine (Chardonnay?) style notes.
Finish: Medium length. Slightest burn at the very end, with hints of sherbert.
Rating (on my very non-scientific scale): 91/100. 


Nikka Taketsuru Pure Malt 17 (43% ABV, 17yo, Blended Malt, Japan,  $1,168HKD$399AUD / £94.95)
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Colour: Gold.
Nose: Spice, pears, and some crème brûlée.
Palate: Lots of saltiness - quite surprising really as it's not a characteristic we usually get on the Yoichi or Miyagikyo (being the two single malts in this blend) - at least the ones we've tried. Some smoked herring, sea air and then just more salt. It's not offputting, just very, very...salty. 
Finish: Medium length, with the saltiness continuing through to the end.
Rating (on my very non-scientific scale): 92/100.  Enjoyable, and slightly odd.


The Glenlivet Nadurra Oloroso Cask Strength (60.7% ABV, NAS, Single Malt, Speyside, Scotland, $880HKD / $99.99AUD / £45.46)
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Colour: Dark orange-copper.
Nose: Big fruitcake notes, as you might expect, but also sweeter notes of cake icing.
Palate: A little closed up initially (understandable considering the 60%+ ABV). Rich, quite a bit of oak, with cherries and a slight nuttiness. With some water there's a lot of spice, and the nuttiness (Brazil nuts now) gets turned up significantly.
Finish: Medium length, slightly tannic, and spicy to the end after a few drops of water.
Rating (on my very non-scientific scale): 91/100. I tried the non cask-strength version and found it didn't really blow me away. I was hoping this would - but it didn't. An enjoyable dram, no doubt, but I'd happily take an A'bunadh or even a GlenDronach 15 over it, if looking for a heavily sherried whisky.


In addition to the festival booths and master classes, Malt Masters HK will feature Dream Drams (all attendees will get one token), a branded Glencairn, unlimited tastings, a charity raffle, dining discounts and discounted whisky sales. With all of that, we have no doubt this year's festival will be a big success.

Tickets are available now for $800HKD (day ticket), with masterclasses at an extra $200HKD, and VIP room tickets an additional $400HKD. Tickets can be purchased here for Sat 27th Feb, and here for Sun 28th Feb.

Hope to see you there!

Cheers,
Martin.

Tuesday, 13 October 2015

Whisky Live Tokyo 2015 (Part 1): Whisky Live Tokyo Party

It was only a few months ago that the stars aligned and I ended up in London (on a short work trip) at the same time as Whisky Live London 2015. Fast forward to September, and I again found myself on a work trip that also conveniently coincided with another Whisky Live - Tokyo, this time. 

(This might not seem overly strange, if it wasn't for the fact that I don't work in the spirits or whisky industry at all - this blog is just a hobby through which I can indulge my passion...)

Unlike previous years, when it was part of the Tokyo Bar Show (which we also visited this year), Whisky Live Tokyo stood on its own for 2015. After some help from the friendly Stefan of Nonjatta, I finally learned that the event actually comprised two parts:

Tickets were hastily purchased, and the countdown began...


Whisky Live Party Tokyo 2015
Being a convenient 30 second walk from my hotel, I made my way over to the Park Hotel just before the show was due to begin, and did a lap to see what was on offer. The best way to describe the party would be like a smaller, more intimate whisky show. 200 people and 70 different whiskies, in a quieter, more refined setting.


After being handed a Brew Dog palate cleanser (side note: Japan seems to love Brew Dog!) and my sheet of 20 tokens, the first bottle I noticed was an Ichiro's Malt "Cards Series" Hanyu Colour Joker - a vatting of Hanyus from 1985-2000. Despite quite a few bottles (3,690 to be precise) being produced, these bottles are still highly collectible and fetch a pretty penny at auction. Fair to say this one wasn't going to last long...

A few other gems I spotted before the official opening were a 42yo WM Cadenhead indepedent bottling from The Glenlivet, a fair selection of SMWS bottles, the 2014 Yamazaki Mizunara, and plenty more. Soon enough it was time to start sampling.


Unsurprisingly about 8 minutes into the party, the Colour Joker (costing 7 of our 20 tokens) was empty. I'd tried it a few months earlier, but couldn't resist another dram so made sure I got in early. With big creamy orange notes on the nose and toasted oak, leather and red berry compote on the palate, it was as enjoyable as I'd remembered.


Next up was the 42yo The Glenlivet from WM Cadenhead, who were well represented at both the party and the show the next day. At 40.2% ABV, it's fair to say this one may not have seen it's 43rd birthday had it stayed in the barrel, but 42yo is still a mighty impressive feat nonetheless. With ripe peaches on the nose and an oaky, thin and smooth body, it was an enjoyable dram but nothing overly special - somewhat typical of the majority of well-aged (40yo +) independent bottlings we've come across.


By this point I'd run out of my 20 tokens, so quickly purchased another 10 (2000yen - approx $22AUD / $130HKD) which led me to the 2014 Sherry Cask release from Hakushu. I did find the number of tokens a little stingy (especially when considering the event didn't include a take-home glass, OR any included food), but I guess there were some pretty special drams on offer, and they had to ration them somehow.

Steph and I tried the Yamazaki 2014 Sherry Cask back in December last year (at the bargain price of about $3AUD / $17HKD for a dram - thanks Japan!) so I was keen to see how the earthier Hakushu spirit fared in similar maturation. Turns out - very well. Truly an excellent sherry bomb, with plenty of rich fruity Christmas cake notes whilst retaining that trademark earthy characteristic.


After a few more drams, and a chat with the legends from Melbourne's Whisky + Alement who were also in town, it was time to hear from our host for the night - whisky legend Dave Broom. Dave (donning a kilt, of course) gave a brief overview of what he's been up to, having not been to Japan in 2 years, then introduced the guests for the night - Akuto-san (Chichibu master distiller and industry legend), Fukuya-san (Suntory Chief Blender and the man responsible for Hibiki), Sakuma-san (Nikka chief blender), and Tanaka-san of Fuji Gotemba / Kirin.


Each briefly discussed the event, the Japanese whisky scene and their own whiskies, and engaged in a brief Q&A with Dave. When finished, we realised time was quickly running out to use our left over tokens (this was a 2 hour party after all, not an all-day show).

With remaining tokens in hands, it was off to the Nikka table to try a limited 21yo Port Wood Taketsuru blend released for the 80th Anniversary in 2014. With a sweet madeira nose (with hints of sweet pastries and icing), a big smoky palate with caramel and strawberry notes, and a long smoky finish with lingering demerara sugar hints, this was a surprising and enjoyable blend.



Time was almost up, but I managed to sneak a few final drams including a unique (to me) triple-distilled BenRiach 16yo sherry cask from 1989 (with lots of walnuts and glacé cherries on the nose, and a lemon peel zestiness with tapioca on the palate) and two single cask Nikkas (one a Miyagikyo, one a Yoichi) - both also from 1989.


When all was said and done, it was a great night and a nice change from the regular format of whisky shows. Even though some aspects could be improved (food could have been provided, a souvenir glass would have been nice, as would a few more tokens) considering the quality and rarity of the drams on offer, and the ticket price (5000yen - $56AUD / $320HKD) I'd still say the show was good value, and would happily return.

Keep an eye out for Part 2 which will cover Modern Malt Whisky Market Tokyo 2015 - the larger show on the following day.



Cheers,
Martin.

Tuesday, 11 August 2015

Tokyo International Bar Show + Whisky Expo 2015 review

Moving to Hong Kong has provided us with some great whisky experiences over the past year - meeting David Stewartsharing a few 'fiddichs with Ian Millar and enjoying a 1969 Glenrothes with Ronnie Cox to name a few.

What living in Hong Kong has also done though, is put us a lot closer to the rest of Asia, and allowed us to visit distilleries in Japan, India, and in the case of this post, spend a crazy 36 hours in Tokyo for the Tokyo International Bar Show + Whisky Expo


It all started when a friend suggested the Tokyo International Bar Show ("TIBS" for short) sounded like a fun weekend. While he didn't end up attending, another friend (Eddie Nara of Barrel Concepts) made plans, and I decided to join in. My plan was simple - fly out of HKG at 1am Saturday, land in Tokyo at 6am, get to the hotel, shower, dump the bag, then head to the bar show and catch up with Eddie just in time for opening. Stay all day Saturday, visit a whisky bar Saturday night, do it all again on Sunday, and fly out Sunday night, back home in time for work on Monday. Simple right? Thanks to the general efficiency of Cathay Pacific (and Japan), that's exactly how it went down.

Arriving at TIBS, I was faced with a queue of at least 400 people, snaking around the Tokyo Dome City Prism Hall venue. Luckily I'd arranged a press pass, and managed to walk straight in via the (empty) media entrance. I made a bee line straight for the Shinanoya stand to order a bottle of the (quite limited) TIBS bottlings - a 6yo single cask ex-French Oak Chichibu, and a 4yo single cask ex-American Oak Komagatake.




TIBS always held special appeal for me - mainly because it combines two things I love - whisky and bar culture (and as we've mentioned before, Japanese bar culture is about as good as it gets).  The venue wasn't big, but showcased a significant number of stalls with every spirit you can imagine, and a number of cocktails to sample too. 

The "+ Whisky Expo" part of the name was evident by at least half the venue being filled with whisk(e)y brands - from the big names (Suntory, Nikka, Beam, Bacardi / Dewars etc..) to independent distilleries (Arran, Glenfarclas) to smaller or lesser-known whisky players (Chichibu, Shinshu (Komagatake / Mars), Kirin) and everything in between. It was particularly exciting to see Kirin - who brought their 17 and 18yo single malt, and 25yo single grains along.




Independent bottlers were also present, with the larger-than-life Robin of Blackadder, complete with his 10 gallon hat, proudly proclaiming his complete lack of filtering for the excellent "Raw Cask" series).




A masterclass theatre provided a variety of masterclasses throughout the day (I attended a rum class with Ian Burrell the "Global Rum Ambassador" on one day, and a Hibiki component class with Suntory's Master Blender Shinji Fukuyo on the other).




A live stage added another dimension, showing various demonstrations and cocktail competitions, including demonstrations from headliner Julio Bermejo of Tommy's Mexican Restaurant (home of the world famous Tommy's Margarita). Enjoying one of these made fresh by Julio and handed directly from the stage was a pretty special experience, and provided a nice break to reset the palate after tasting 20+ whiskies!




The Chichibu booth was crowded for most of both days, and it wasn't hard to see why - with a full line-up, including a few pre-release bottles that read "Bottle 1 of 2"! Akuto-san was also around to greet fans and pose for photos / sign bottles. A top bloke and very humble!




Food within the venue was limited, but with okonomiyaki, tempura, takoyaki and sushi, covered most of my favourites. When a break from the spirits was needed, there were a few options including Nikka (with their Highball machine, showcasing the new Nikka Black), and Brewdog, the Scottish craft brewery famous for making some insanely high-ABV% beers.




The rest of the story is probably best told in pictures - enjoy!


















I'm really glad I went to TIBS, and would encourage anyone who likes whisky, cocktails or bar culture to try to visit at least once in their life! A huge thanks to Tokyo International Bar Show and Hidetsugu Ueno (of Bar High Five and the Cocktail Culture Foundation) for the press pass.

Tasting notes to follow in a further blog post.

Cheers,
Martin