Tasted #592: Yamazaki "Age Unknown" 30 Year Old (TimeforWhisky 10 Year Anniversary Dram)

Our second 10th Anniversary dram whisky comes from Japan…in the form of a 30 Year Old Yamazaki.

Hold up....Yamazaki? 30 Years Old? 

How often has someone told you they tried a 21 or 30yo Yamazaki, and you just know they meant Hibiki? I mean, apart from single casks, Yamazakis are usually always NAS, 10, 12, 18 or 25yo, right?

Generally, yes, but in 1989 a very limited Yamazaki "Age Unknown” was released, containing Yamazaki from the 1960s and bottled at 25 years old. 5 years later in 1994, a further 300 bottles were released with an extra 5 years maturation, making this 30 year old Yamazaki!

(You can tell these older 1994 bottles apart as they have the signature of “Keizo Saji” on the label - Suntory’s chairman).

WhiskyFun gave this a WF96 recently, a score very few whiskies achieve. With these kind of figures (300 bottles, released 28 years ago, WF96, WB94.67 etc..) I'd fully expected this to fall into the "whiskies Martin will never try" category...but then on a recent trip to Melbourne, the incredibly generous Deni Kay (@deni_kay) invited me around for an evening with he and his Old Master Spirits partner David (@whisky.nerd), where David kindly shared this. I wasn't about to say no! Absolute legends, both of these blokes. 

Yamazaki "Age Unknown" Keizo Saji Release (43% ABV, 30yo, 1 of 300 bottles, Japan, Price: lots and lots and lots, if you could even find a bottle)
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Colour: Deep rich gold.

Nose: Instantly, I get Golden Rough chocolate (Aussie readers will know it) - milk chocolate with roasted coconut. Straight back to my childhood. That's followed up by creamy vanilla, sultanas, coffee grounds, aged honey, a humidor full of lovingly-aged cigars and a slight nuttiness (walnuts). It's like someone took all the best notes from a beautifully-aged, clean sherried dram, and all the best notes from a beatifully-aged Mizunara dram, and mashed them together. Simply stunning.

Palate: Mercifully, the nose is backed up by an equally complex and stunning palate. There's some spice initially, but it doesn't overpower (like it does in the 2014 Yamazaki Mizunara), and sits alongside more coconut, milk chocolate, sandalwood, nougat and honey in perfect harmony. Back in 2017 I wrote that the 2017 Yamazaki Mizunara 18 Year Old had one of the most incredible noses I'd experienced, but the palate didn't match it. In this Age Unknown, it does.

Finish: Long, very long (especially considering the 43% ABV), with coconut, sandalwood, mild woodspice, caramel and honey.

Rating (on my very non-scientific scale): 95/100. Simply incredible. One of the greatest whiskies I've ever had. Anyone have a spare $40k AUD?

See you tomorrow for dram number 3!

Cheers,

Martin.

What is "Japanese Whisky" these days?

If you go back 10 or so years, the term "Japanese whisky" generally meant (to most whisky drinkers) Yamazaki or Hibiki. Maybe for some well-versed drinkers, Miyagikyo, Mars Komagatake or Yoichi. Hardcore enthusiasts were probably aware of whiskies like Hanyu and Karuizawa, but they certainly weren't known outside of a core group of enthusiasts.

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Back then, these whiskies were all relatively accessible and comparatively well-priced (yes even the Karuizawas). More or less every Dan Murphy's stocked Yamazaki 12 (at well under $100AUD/bottle), and almost every decent Japanese bottle shop (and even Japan's airports) stocked age-statement Suntory and Nikka whiskies at incredibly fair prices. You could walk into most (good) Japanese whisky bars and try a selection of Ichiro's Malt Cards Series for less than you'd pay for a dram of Lagavulin 16 today.

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Then in 2015 a man in a hat said the Yamazaki Sherry Cask 2013 was the best whisky in the world, and everyone lost their mind. Now sure, this was far from the first award ever given to a Japanese whisky (Hibiki 21 for example had won "World's Best Blended Whisky", at the arguably much-more-relevant World Whiskies Awards, several times before 2015), but it did seem to be the catalyst for a barrage of hype, price hikes and scarce availability that continues today.

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Some might say the hatted man simply shone a brighter light on what was already an incredibly high quality spirit (and they'd be right), but however you look at it, the hype started building, and casualties followed. In the coming years, Nikka discontinued their beloved age statement single malts (and later, many of their much-loved blends), Suntory temporarily halted favourites like Hibiki 17 and Hakushu 12, and the prices of pretty much all remaining Suntory and Nikka age statement (and NAS for that matter) whiskies skyrocketed. 

...and that's not even mentioning whisky from closed Japanese distilleries (to see how things are going there, just check out these auction prices of a "full deck" of Ichiro's Malt Cards Series from 2015, 2019 and 2020 respectively).

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After a few years came the the wave of what many have termed "fake Japanese Whiskies" - those which took advantage of loose legislation in Japan which meant that producers could (and still can, for now) bottle whisky made from 100% imported spirit such as Scotch or Canadian whisky, and sell it as "Japanese Whisky" domestically and around the world. 

Again, the use of non-Japanese distilled spirit isn't a new thing. Nikka for example had been thought to be using Ben Nevis (which they own) in their hugely popular "Nikka from the Barrel", for years, but the rise in Japanese whisky popularity in the past 5 years has seen a big increase in other overpriced, opaque/ambiguous bottlings calling themselves "Japanese", often with samurai or other imagery, with absolutely no guarantee as to where the spirit originated. 

(For the record, I have no problem with the practice of imported spirit being bottled and sold by Japanese companies, and companies like Nikka who are willingly being transparent about the issue should be applauded. My issue is with those being deliberately deceptive, trying to "fool" their customers into thinking the whisky was distilled in Japan when it wasn't.)

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More recently though, we've seen a ray of hope emerge - "proper" Japanese whisky from new or newly-expanded distilleries/brands, producing unique, Japanese-distilled spirit, and in the last few years (and especially the last 12 months), we've seen the first whisky releases from many of these start to emerge.

With thanks to our friends at AFTrade Hong Kong, we're going to feature a few of these whiskies over the coming week, with detailed tasting notes and some background into each distillery. Specifically, we'll be trying:

• Kanosuke Single Malt 2021 First Edition (link to tasting post)
• Sakurao Single Malt 1st Release (link to tasting post)
• Mars Tsuniki Peated (link to tasting post)
• Akkeshi Single Malt: "Boshu", "Kanro" and "Usui" (link to tasting post); and
• Mars Komagatake x Chichibu "Malt Duo" (not as new as some of the others, but a fascinating blended malt considering the practice of sharing barrels and blending malts is far from common in Japan) (link to tasting post)

(Links to the articles will be added as they're posted)

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We hope these posts give you some insight into these new, exciting Japanese distilleries and a little taste of things to come from Japanese whisky in the future. If you have any thoughts of your own on these whiskies (or the Japanese whisky scene in general) please leave them in the comments below!

Kanpai,

Martin.

Launch of Yamazaki 18 Mizunara 2017 Edition (Tasted #380)

Last week we joined Suntory Whisky Global Ambassador Mike Miyamoto to launch the new Yamazaki Mizunara 2017 Edition in Sydney - the first commercial 18 year old Mizunara expression released by the distillery. It was certainly a truly remarkable and unique experience as the Simmer on the Bay precinct at Walsh Bay was decadently converted into the "House of Suntory".

The release of the Yamazaki 18yo Mizunara 2017 is particularly exciting given the upswing in Japanese whisky popularity over the past few years, the use of the rare Japanese Mizunara oak, and the fact that the launch was hosted by Mike Miyamoto, a veteran in the whisky industry (see here for our first event with Miyamoto-san back in 2014). With over 40 years working in the whisky industry including some time managing production at Bowmore and also at one point, managing Yamazaki and Hakushu distilleries, Mike is a well-respected figure in the industry.

Mike welcomed us into the House of Suntory before describing the Suntory journey over the past three-generations and the true devotion of their Master Blenders in pursuing a truly unique and exquisite Japanese whisky. Part of such devotion included the craftsmanship in working with Mizunara, a delicate and rare Japanese oak - and the highlight of this new release.

The use of the Mizunara is what makes this new release special. Whilst there have been Yamazaki Mizunara expressions released before, they were NAS, whereas this carries an 18yo age statement. That's no small feat, as Mizunara, as a wood, takes almost double the time to grow as compared to the more widely used American oak or European oak (Mizunara only reaches a sizeable diameter in width after a whole century), and is notoriously difficult to work with, due to its porous nature.

Due to the demanding nature of Mizunara, it had taken Suntory's coopers many years to perfect the cask-making techniques. The wood is only found in a few regions in Japan and is branchy, inter-twined and permeable in nature - all characteristics that make the wood hard to shape and join with precision. As a result, Mizunara casks can often leak and it is only through perseverance and years of trial and error that Suntory coopers have mastered the art of Mizunara cask making.

As a result, comparatively, the difficulty that comes with Mizunara cask making puts the cask at a premium over other cask types including quality sherry casks that already command a relatively high premium.

On the night, a Mizunara tree was showcased through a digital projection, and described by Mike with a short animation to illustrate the tree's journey over the four seasons.

Suntory’s Chief Blender, Shinji Fukuyo stated “I wanted to reveal the whisky’s soul; that is, the art of Mizunara – a heightened sense and awakened palate engaged through aromas and flavours never known before. Encountering it should be a moment of epiphany”.

To showcase how Mizunara affects the overall taste profile, Mike led a tasting of three distinct Mizunara cask samples; a 5-year-old Mizunara (distilled in 2013), a 15-year-old Mizunara and an old Mizunara that had been distilled in 1969. The youngest Mizunara was pulled into the mix to showcase that Mizunara provides little to no influence in the first few years. Contrasting that with the oldest Mizunara, one that was distilled in 1969 which was described by Mike as rather oaky and with notes of nail polish, varnish and bitterness. Finally, of the three, the 15 year old was the one that had the best balance, with creamy, elegant, fruity and incense notes.

The three samples were chosen to illustrate the fact that Mizunara not only is a difficult wood to work with, but is also quite delicate and the cask can take years to successfully influence the whisky, to achieve a result that is not too soft nor overly oaked.

The new Yamazaki 18 Mizunara 2017 edition has been released to celebrate such craftsmanship as well as the essence of the noble Mizunara. At 48% ABV, the new release is a blend of single malts that have been aged entirely in Mizunara casks for at least 18 years (and in some cases, apparently, up to 50 years) The result of the Mizunara maturation gives the resulting whisky uniquely Japanese characters; distinct spices, incense like aromas and sandalwood notes.

Presented in a wooden box crafted from recycled Suntory casks, the new Yamazaki Mizunara 2017 will be available to purchase from select retailers for $1,400AUD. The allocation for Australia is less than 200 bottles (of the 5000 bottles available globally), including many for on-premise, and sadly has been fully allocated.

Thanks to Liquid Ideas and Beam Suntory for having us at the launch. 

Unfortunately, due to battling a cold and a reduced sense of smell / taste on the night, my tasting notes didn't quite do the whisky justice. Luckily Martin also recently tried it, and has included his thoughts below...

Yamazaki Mizunara 18yo 2017 Edition (48% ABV, 18yo, Japan, ~$1,400AUD but good luck finding one for that price now, sadly)
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Colour: Burnished copper-gold.

Nose: Sandalwood at first then hints of (sweet, dessicated) coconut - the mark of a good Mizunara-aged whisky in my opinion. Then some cherry-chocolate - Cherry Bounty Bars! As the minutes go on, the coconut increases, and after 10 or so monutes, there's some noticeable spice - cinnamon and paprika.

Palate: Creamy at first, quickly followed by an oaky fruitiness - slightly tropical, with lots of coconut, perfume, but still lots of oak spice, which at times can almost overpower the other notes. There's some mango and peach, and after letting the glass sit (covered) for 30minutes, there's noticeable sweet coconut milk chocolate, and a seemingly more mellow overall mouthfeel.

Finish: Medium to long in length, with sandalwood spice, pencil shavings and a little tannin.

Rating (on Martin's very non-scientific scale): 92/100. Look, I love a good Mizunara-aged whisky, and this definitely falls into that category. The nose is outstanding. Beautiful, complex, changing...one of the best noses I've found on a whisky in a while. The palate, whilst certainly not a let-down, just doesn't live up to the nose unfortunately, with a little too much spice and oak. Overall though, a very very good whisky, but not the best Yamazaki we've tried (that honour would go here), nor the best Mizunara-matured Yamazaki. Interestingly, the "amazing nose, palate not as great" assessment is similar to what I said about last year's massively popular Yamazaki release - the 2016 Sherry Cask.

Cheers,

Hendy & Martin.

Yamazaki "Limited Edition" 2016

There's already been one limited, highly sought-after 2016 Yamazaki this year (and we tasted it here), and now there's set to be another - the Yamazaki "Limited Edition" 2016 release.

Following in the footsteps of the 2014 and the 2015 Limited Editions (the former which is still not-terribly-difficult to find in Japan), this year's release is also an NAS, but sounds like it contains whisky from ex Sherry and Port cask(s), with some of the malt aged for over 20 years.

There are some more details here (if you can't read Japanese, you might need to make do with Google / Chrome auto-translation..). Unfortunately there's no information on how it will be made available yet (quite possibly via lottery like last year), but at 10,000yen, at least they're keeping it relatively accessible.

Let the hype commence!

Cheers,
Martin.

Tasted #276: Yamazaki Sherry Cask 2016

***HYPE HYPE HYPE***

We've certainly heard a lot of it since the Yamazaki Sherry Cask 2016 Edition was announced (see our initial post from January here). One bloke says he likes the 2013 version, and the world goes nuts over the follow-up release. 

Limited to 5,000 bottles (1,500 for Japan, 3,500 for the rest of the world), we've seen retailers charging huge markups and bottles being auctioned for 5, even 10 times the recommended retail price (which was £200, $300USD and $450AUD...if you were lucky enough to find one at retail).

So, with all this hype, we wanted to try it and make a call for ourselves. If the 2013 was so great, and this is basically the same juice with an additional 3 years of maturation (which we learned from Mike Miyamoto recently), perhaps it really is that amazing? Perhaps the hype is justified...?

Let's find out...

Yamazaki Sherry Cask 2016 Edition (48% ABV, NAS, Japan, £200 / $450AUD / $300USD)
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Colour: Deep, deep brown-red-copper. Incredibly dark. Almost black. Easily one of the darkest whiskies we've ever tasted.

Nose: Trademark heavily-sherried Yamazaki (we've tried a few, like these ones, these ones, these ones and especially this one) - coffee, mocha, roasted brazil nuts, sherry-soaked raisins. Huge, juicy, full of cherries. Absolutely beautiful nose - one of the best in a while. A few drops of water brings a freshness and a creaminess that wasn't there without. So far so good!

Palate: Drying, tannic, and oaky. Too oaky!? There's Ribena, dark chocolate, dates, sultanas. With some water - milk chocolate. There's a bit going on here, but there's an underlying theme of "oak" I just can't shake. I haven't tried the 2013, but if this is the 2013 with 3 extra years...perhaps it didn't need them? Hate to say it, but whilst it is enjoyable, it does feel a little over-oaked.

Finish: Long, tannic, and quite bitter - hints of Campari!

Rating (on my very non-scientific scale): 91/100. It was an absolute pleasure to get our hands on a bottle and taste this, and it's a quintessential Japanese sherry bomb...but we just can't help but feel it's had a little too long in oak. Mind you, that nose - wow, stunning.

Cheers,
Martin.

PR #30: Yamazaki Sherry Cask 2016

It took the whisky world (perhaps that should be the whisky auction world) by storm when a certain Mr Murray voted the 2013 release as "World Whisky of the Year" last year, and now it's back, with the iminent release of the Yamazaki Sherry Cask 2016.

Sure to be an instant sell-out, the 5,000 bottle worldwide release (246 for Australian bars and retail stores, HK release figures unknown) from Suntory is due next month.

There's scant detail on the rest of the "cask collection" (these releases usually consist of 4 different bottlings - a Mizunara cask, a Bourbon cask, a Puncheon and the Sherry cask) but since Mr Murray's award, it seems the Sherry Cask is the one on everyone's radar.

With only 5,000 bottles to be released, we're sure Suntory could use any old sherry casks and still sell out in minutes - but instead they've taken the same base as popular 2013, with an additional 2 years maturation, and thrown in some additional malts over 25 years old. Sounds like a winner to us.

We're hoping to get our hands on a bottle in the coming weeks, so we can let you know our thoughts. In the mean-time - here's the official press release:

"Suntory Whisky, the pioneer of Japanese Whisky, will launch the Yamazaki Sherry Cask 2016 into the Australian market in February 2016. The Yamazaki Sherry Cask has been created for lovers of complex, refined, yet subtle tastes. Only 246 bottles will be available for sale in specialist whisky retailers and bars.

In 2015, Jim Murray’s Whisky Bible awarded the Yamazaki Sherry Cask 2013 “World Whisky of the Year”. The new 2016 blend incorporates the same whiskies that created the 2013’s base with an additional two years maturation as well as adding various rare sherry cask single malt whiskies, some of which are over 25 years old.

Created by Chief Blender and Great Grandson of founder Shinjiro Torii, Shinji Fukuyo, the Yamazaki Sherry Cask 2016 is a deliberate design, choosing from over a hundred malt whiskies. While sherry casks are both revered and feared for their strong character, Shinji Fukuyo selects only casks that hold a delicate balance of chemistry between the Yamazaki malt, and sherry cask, thereby enhancing Yamazaki’s characteristically rich and multifaceted flavour.

“Shinji Fukuyo has designed a journey in this whisky. The Yamazaki Sherry Cask 2016 is undeniably where Spain meets Japan in the form of a whisky. To fully enjoy this journey, Fukuyo recommends the whisky first be served neat to showcase its nose. On its own, there is a clear and fresh top note. A raisin-like, deep sweetness that is both elegant and rich,” Narelle McDonald, Beam Suntory Marketing Manager for Premium Brands, said.

“You immediately taste the complexity of this liquid, and the fine balance of maturity and delicateness. Served on the rocks, the flavour opens as you begin to taste the Delaware grape-like sweetness and its slightly bitter acidity. When cut with water, there is a soft sweetness that blossoms like the first apples of the harvest,” said McDonald.

Sherry cask whisky has been a constant staple of the Suntory Whisky portfolio since 1924; a year after the distillery began construction. Shinjiro Torii started making Suntory Whisky in sherry casks imported from southern Spain, which he had originally used to blend his famous Akadama Sweet Wine.

Today, Chief Blender Shinji Fukuyo visits the Northern region of Spain himself to ensure that it is his selection of Spanish oak to be sent to the “bodegas” sherry wineries to be made into sherry casks used to store their Oloroso Sherry. Fukuyo carefully oversees this entire process, from the selection and making of the casks, to the charring, and the aging of their sherry. After three years of aging, the sherry casks are sent back to Suntory Whisky, ready to receive what becomes the distinguished Yamazaki Single Malt Whisky."

(We've met Fukuyo-san twice now, and had no idea he was the Great Grandson of Shinjiro Torii. Nice guy, great blender AND from Japanese whisky royalty! Cool.)

The Yamazaki Sherry Cask 2016 will be available in selected specialist whisky retailers and bars from February 2016, priced at $450AUD RRP.

Cheers,
Martin.

Tasted #226: Yamazaki Single Cask Spanish Oak 2003 11yo

Back in December last year (during a holiday in Japan), we stumbled across Suntory's "Whisky Shop W" in Osaka (well, I say stumbled...truth be told I'd planned it weeks in advance it was the first place we visited when we arrived in Osaka....)

Without going into too much detail about Whisky Shop W (read this Nonjatta post for a great overview), it's Suntory's own shop in Osaka, and despite being small, always has a few goodies in store for the whisky lover, such as their 300mL shop-only bottlings of Hakushu, Yamazaki and Chita, which are incredible value and sadly sell for stupid amounts of money here in Hong Kong (we opened ours and shared it with friends).

Occasionally though, they have something even more special - sometimes behind the counter, sometimes something that you have to ask really nicely for.

On our visit, it was this 11 year old Yamazaki single cask, which I was lucky enough to pick up a bottle for (from memory) about $25AUD / $140HKD. I tried to buy two (the bottles are only 190mL) but they were strict - one bottle only. Understandable when I later saw these go for 12 times the price in Hong Kong...

Yamazaki Single Cask 2003-2014 Spanish Oak Bota Corta (55% ABV, Cask #ADDY3038, 11yo, Yamazaki, Japan, no longer available)
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Colour: Coffee. Dark, rich, coffee.

Nose: Rich, juicy plums and Christmas cake.

Palate: Rich red berries, luscious, juicy cherries,  and some cocoa. Coffee, brazil nuts and big Oloroso-style notes. So far - incredible.

Finish: Long, intense and tannic. Slightly sour but not in an off-putting way. Residual brazil nuts and cherries, and a mouth-puckering Oloroso sherry-like finish that makes you want to come back for more. If only the bottle held more....

Rating (on my very non-scientific scale): 94/100. Amazing - one of the best single cask Japanese whiskies I've ever tried.

Cheers,
Martin.

The Great Whisk(e)y Rumble (Sydney)

There's something to be said for an event involving four great whisk(e)y legends from around the world... 

Not many details were revealed by Beam Suntory prior to the event, held in early September, dubbed 'The Great Whisky Rumble' - other than that it was to be 'the bout of the year, a whisky bout that is'. Having attended other Beam Suntory events recently, we knew we could expect great things from Suntory's wide-ranging portfolio of brands; Hibiki, Laphroaig, Canadian Club and Jim Beam.

Joined by Suntory staff, fellow whisky lovers, whisky bloggers, media reps and others from the industry, we all converged at the Australian Technology Park ahead of the bout. Walking through the locomotive workshop was reminiscent of the time I spent at last year's Jack Daniel's celebration when the whole site was transformed into a spectacular bar - this "rumble" being hosted at the back of the Australian Technology Park. As we entered, we were graced by a spectacularly transformed space - lined with large feature windows, stacked bourbon barrels, old wooden artefacts and old Chev ute, the vintage decorated grand hall instantly transported us back to the early 1900s.

The four brands; Hibiki, Laphroaig, Canadian Club and Jim Beam were each represented across the four corners of the hall, with each corner showcasing a good range from each brand including Jim Beam's Knob Creek, Booker's, Basil Hayden's; Laphroaig's classic 10yo, 15yo, Quarter Cask; Suntory Kakubin; and Canadian Club 12yo. The whisky legends behind these four brands stood by their corner, surrounded by their fans. One might have drawn a parallel between these scenes and those moments prior to a big boxing match, where legends are surrounded, supported and hyped by their fans... 

The four whisky legends that stood by their brands were:

• Fred Noe, the seventh generation Master Distiller of Jim Beam
• John Campbell, Distillery Manager of Laphroaig
• Dan Tullio, Canadian Club  Whisky Master
• Mike Miyamoto, Suntory Whisky Global Brand Ambassador

What was great about the night was that it was the first time that these four whisky legends were together in one place, to debate and battle it out in the 'Great Whisky Rumble.'

 

As guests awaited the commencement of the rumble, a range of cocktails were served. I took the opportunity to spend some time talking with Mike Miyamoto and John Campbell in their corners, whilst taking the opportunity to try the whiskies on offer

 

 

Opening up the rumble was John Rosair, Managing Director of Beam Suntory Oceania who introduced Dylan Howarth of The Drink Cabinet as MC for the night.

The charismatic Dylan explained how the rumble was to see the four great whisky legends go all out to present their brands, their stories and their whiskies - all set to take place on the main stage for the event - a real-life boxing ring.

As the curtains were pulled back, a boxing ring was unveiled - inside, contenders already going at it (although simply for show). Seated around the ring, we were all given a tub of popcorn to munch on whilst we waited for the main event.

It wasn't long until Dylan opened the main event, introducing the order for the night which saw Dan Tullio first up in the ring, followed by Mike Miyamoto, Fred Noe and finally John Campbell.

The rule of the rumble, MC Dylan Howarth explained, was that he would present a series of questions to the four whisky figures, who would be given an opportunity to present their stories and their whiskies. At the end of the night, the crowds were to nominate their favourite as the winner.

First contender of the night - Dan Tullio, Canadian Club Whisky Master:

Dan highlighted the history of Canadian Club, dating back to 1858 and began with the founding father Hiram Walker who at the age of 40, decided to make whisky in Canada. Roll forward to 2015 and Dan explained how over the years, Australia, as a market, had climbed up to the number three spot for Canadian Club in the world. The Canadian Club Classic 12 year old was presented by Dan for tasting.

On stage, Dan was highly engaging and it was entertaining to see the odd bit of banter being thrown around between Dan and Noe regarding Canada and America.

Mike Miyamoto led Round 2 - sharing similarities with the numerous whisky expressions he oversees; balanced and composed, Miyamoto spoke to the recently launched Hibiki Japanese Harmony. Miyamoto described the driver behind the Japanese Harmony expression and how the expression was inspired from the original Hibiki which was created in 1989 to commemorate the 90 year anniversary of Suntory.

As noted during the launch back in August, I found the Japanese Harmony to be a clean, simple blend that may not be as bold-bodied as the aged Hibikis, though able to stand up as your daily dram or as Miyamoto puts it, a versatile expression that you can introduce to those who have not tasted whisky before or are interested in Japanese whisky.

Fred Noe took the stage for round 3.

“The Rumble is the perfect setting to really hash out who has the best whiskey" noted Noe who then proceeded to laude the greatness of Kentucky bourbon whiskey in front of his global counterparts. 

Noe certainly took the stage well, presenting Jim Beam's small batch bourbon Knob Creek to rally the crowds. It was my first time sampling the Knob Creek and I loved it. I found it to be a big, rich, pleasant, palate engaging bourbon. The intense, rich and oaky characters of the Knob Creek showed some resemblance to the characters of Booker's, another small batch in Jim Beam's small batch range.

On stage, Noe was clearly proud of Jim Beam and its leading position in the global market. As Noe concluded "The future looks great for bourbon!" - and he is most likely right with all the exciting developments in the bourbon scene.

The final contender of the night was Laphroaig's John Campbell. Presenting the Laphroaig 10yo to the crowds; the epitome of the Laphroaig range, the 10yo carried the classic Islay traits, being heavily peated, buttery and layered with smoke and more smoke - the 10 yo, in my opinion packed a good punch to round up the four whisk(e)y variants and helped to seal the night.

John spoke to the newly released limited Laphroaig 15yo, noting the story of why the 15yo was resurrected following its discontinuation a few years ago (having been replaced by the Laphroaig 18yo).

John explained how Laphroaig fans have lauded the 15yo over the years, and especially once it got discontinued and how it became quite special to Laphroaig backers. This was certainly true, having spoken to few drammers that have confessed their love for the 15yo and even seeing a few old 15yo bottles for signing at the Laphroaig Masterclass (post coming up) - one such old bottle belonging to Martin.

Given the special status it held in the hearts of Laphroaig fans, the 15yo was unsurprisingly chosen as the expression that would be released to commemorate the 200 year anniversary of Laphroaig. One main difference with the newly released 15yo is that the new 15yo is made in smaller batches.

As the rumble wrapped up, the crowds were engaged to select a winner though from memory I recalled all the Whisky greats won the people's choice. Personally, I enjoyed the Knob Creek, it was a big, rich, intriguing bourbon. 

The dust may have settled, the crowd subsided but the legends lived on. The wisdom of the four whisky greats from the night will forever be ingrained with those that witnessed the rumble. For that this event will go down as one of the greatest whisky events this year. 

Overall, the Whisky rumble was loads of fun, entertaining, enlightening and insightful. Well done to the Beam Suntory team and Liquid Ideas for pulling this momentous event together and especially for Dan, Mike, Fred and John for banding together on the night to share their special stories.

TimeforWhisky.com would like to thank Liquid Ideas and Beam Suntory for the invite to The Great Whisk(e)y Rumble.

Cheers,
Hendy.